The Project Gutenberg EBook of Lazy Thoughts of a Lazy Girl, by Jenny Wren

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

Title: Lazy Thoughts of a Lazy Girl
       Sister of that "Idle Fellow."

Author: Jenny Wren

Release Date: August 10, 2005 [EBook #16507]
Last updated: January 17, 2009

Language: English

Character set encoding: ISO-8859-1


Produced by Bill Tozier, Barbara Tozier, Sankar Viswanathan,
and the Online Distributed Proofreading Team at



(Sister of that "Idle Fellow.")













Chapter. Page.





"Love is of man's life a thing apart;
'Tis woman's whole existence."

So sings the poet, and so agrees the world. Humiliating as it is to make the confession, it is undeniably true. "Men and Dress are all women think about," cry the lords of creation in their unbounded vanity. And again, we must submit—and agree—to the truth of the accusation; at any rate, in nine cases out of ten. Fortunately I am a tenth case; at least, I consider myself so. I don't dispute the "dress" imputation. I am very fond of dress. Nearly as fond of it as the twenty-year old youth, and saying that, I allow a good deal. But very few of my thoughts are given to the creature "man"! I do not think him worth it. As my old nurse used to say, "I never 'ad no opinion of the sex!"


Do not conclude, however, that because of my statement that I am a disappointed, soured old maid, for I am nothing of the sort. I am on the right side of twenty-five, and I have never been crossed in love; indeed, I have never even experienced the tender passion, and only write from my observations of other people; thus taking a perfectly neutral ground in speaking of it at all.

One never hears that Adam fell in love with Eve, or that Eve was passionately attached to Adam. But then, poor things, they had so little choice—it was either that or nothing. Besides, there was no opposition to the match, so it was bound to be rather a tame affair. For my part, I pity Eve, for Adam was, I think, the very meanest of men. When he was turned out of the garden, what a wretch he must have felt himself! and how he must have taunted his poor wife! Weak men are always bullies.

But "revenons à nos moutons," I am wondering who was the first person to fall in love! Cain might have done so with his mysterious wife; history does not say. But certainly there is always some attraction in mystery, so such a [9] thing is possible. I wonder whence that extraordinary woman sprang!

Neither do we hear much of Noah's domestic experiences, but I should conclude on the whole that they were not happy. No man could be endured for forty days shut up in the house, no business to go to, nothing to do, always hanging about, his idle hands at some mischief or other, and last, but not least, a diabolical temper, displayed at every turn! Why, I cannot endure one for a week! My only wonder is that the female population of the Ark did not rise up in a body and consign their lords and masters to the floods.

Poor men, they deserve a little of our pity too, perhaps; for if Mrs. Noah and her daughters-in-law at all resembled their effigies in the Noah's Arks of the present day, they were women to be avoided, I think.

So that, after all, it must have been Jacob who set such a very foolish example; because we could not count Isaac, his being so extraordinary and isolated a case, when he fell in love with his own wife!

Therefore I think we owe Jacob a great many [10] grudges. He was the inventor of the tender passion, and since his time people have begun to follow his example long before they come to years of discretion, simply because their parents did so before them, and they think they are not grown up, that they are not men, unless they have some love affair on hand.

Some get married at once, some wait a long time, and some do not marry at all. These last are, I think, generally the happiest, for this so-called love lasts for only a very short time, and neither husband nor wife are long before they console themselves with someone else's affection to make up for what is wanting on the part of the other.

Of course I am speaking generally. As far as I can see, the majority act thus, though I am glad to say that many and various are the exceptions. It was only the other day I came across our washerwoman and asked her how she and her husband got on together. He used to be a drunkard, and used her cruelly, but two years ago he took the pledge, and, what is more, he kept it. "Lor', mum," she exclaimed fervently, "we draws nearer every day!" I am afraid [11] not many husbands and wives could say the same.

People are so anxious to marry too. I cannot understand them, men especially. They have their clubs, they are entirely independent, and can go home as late as they please without being questioned as to their whereabouts. And yet, as soon as they can, they saddle themselves with a wife, who requires at least half the money—they have never found sufficient for themselves alone—besides a great deal of looking after!

Women, on the contrary, are different. They have to make some provision for the future, so to speak. How do you like it, oh men! the idea that you, with your handsome personages and fascinating ways, are used only as a kind of insurance office? This is the case very often, however, though you may not know it!

Yet others pursue the god Hymen merely for the sake of being married. As soon as they leave the school-room, sometimes before, they begin their search for a husband, and look out for him in the person of every man they meet. No matter who it is so long as they are married [12] before So-and-So, and can triumph over all their friends.

It must be said for men that they are falling off in the marrying line. This is not nearly such a proposing generation as the last. Then they married much younger and seemed to propose after a few days' acquaintance. No, this is a more cautious age altogether. Men look round carefully before they make their choice. They sample it well, they watch it in the home circle, they watch it abroad, they watch it with other men, and finally come to the conclusion that it is worthy to be allied to their noble selves, or they don't!

Another thing. Men of the present day are so direfully afraid of a refusal! So fearful are they, that rather than risk one, they give up many chances of happiness.

They expect that a girl should show her feeling toward them, before they come to the point. But you must remember that girls also have to be cautious, and a few—I acknowledge it is only a few—would rather die than show they cared for a man who after all might only "love and ride away."


Not that I altogether blame man in this respect. I always admire pride, and am afraid I should not care for a refusal myself. I am intolerant of it even in the smallest matters!

It is curious how men run in grooves. The same style of man nearly always marries the opposite type of girl. I mean that the intellectual, the clever, invariably choose the insipid brainless girl. Pretty, she may be, but it is in a doll-like way, with not a thought above her household. You would have imagined that such men would require some help-meet, in the fullest sense of the word; with a brain almost as quick as their own. But such a choice occurs very seldom.

Again, why is it that little men always select the very tallest women they can find? You would think that a man would hesitate to show off his meagre inches to such bad advantage. But these pigmies appear to enjoy the contrast. It is evidently quantity they admire, not quality.

I daresay a good deal of what I have written sounds very cynical, but perhaps my experience has been unfortunate, therefore you must forgive me: certainly it is sometimes very difficult to [14] distinguish between the real thing and its successful counterpart.

Parents are greatly at fault in the issues of the matrimonial market. After all these centuries of experience you would give them credit for more tact than they possess. Any match they do not desire, they oppose at once, and thereby set alight all the contradictory elements in your nature. If Laban had been less obstinate, and had consented to an alliance between Jacob and Rachel from the first, provided Leah was left behind to look after him, the latter would immediately have been endowed with attractions innumerable to Jacob, tender eyes and all!

Nowhere is there such a fertile soil for love as opposition!

On the other hand, if parents wish to encourage a match, young people are thrown together as much as possible. However big the gathering, you are somehow always paired off with the eligible parti until you grow to loathe the man, and would sooner become an "old maid" than marry him.

Parents have a bad time altogether I am afraid. Their nice little plans are so nearly [15] always upset by their ungrateful children, and then they have to be continually looking after their brood. I knew one mother who used to take her daughters on the pier and lose sight of them at once, as they paired off with their he-acquaintances. Do what she would she could not find them again, so many were the nooks and crannies near at hand. Finally she had recourse to the Camera Obscura, and, with the help of the views set before her there, she found the missing girls! "We never can escape her now," they told me in mournful tones, after her fatal discovery.

Girls are degenerating sadly, it is said. They are getting too masculine, too independent, too different from man's ideal—the modest little maid who sits at home and mends her husband's socks.

I do not dispute the fact. They are degenerating. Neither, though I dislike the ideal specimen, and have a contempt for her, do I stand up for the other extreme. I have a horror of fast masculine girls, and agree with all that is said against them. Nevertheless, I do not consider men have any right to complain, as they are the chief cause of the deterioration of our sex.


Everyone knows that a girl thinks more of a man's opinion than that of anyone else. If he applauds, then she is satisfied. She does not consider it ignominy to be termed "a jolly good fellow!" She gets praise, and in a way admiration, when she caps his good stories, smokes, and drinks brandies and sodas. Unfortunately, she does not hear herself discussed when he is alone with his friends, or perhaps she would be more cautious in her manners and conversation for the future, for this is not the kind of girl who is

"Rich in the grace all women desire,
Strong in the power that all men adore."




Bills! Bills! Bills! Detestable sound! Obnoxious word! Why were such things ever invented? Why are they sent to destroy our peace of mind?

They always come, too, when you are expecting some interesting letter. You hurry to meet the postman, you get impatient at the length of time he takes to separate his packets (I sometimes think these men find pleasure in tantalizing you, and keep you waiting on purpose), and when he at last presents you with your long-expected missive, behold, it turns to dust and ashes in your hand—metaphorically speaking, of course.

It is a pity such a metamorphosis does not occur in reality; for the wretched oblong envelope, with the sprawly, flourishy writing, so [18] unmistakably suggests a bill, that you—well, I do not know what you do on such an occasion; my letter, which I have been so anxious to obtain, is flung to the other side of the room.

How is it that bills mount up so quickly? You buy a little ribbon, a few pairs of gloves, some handkerchiefs—mere items in fact, and yet when quarter day comes round you are presented with a bill a yard long, which as your next instalment of money is fully mortgaged, is calculated to fill you with anything but extreme joy.

Why are the paths leading to destruction always so much easier of access than any other? It takes so much less time to run up a bill, it is so much simpler to say, "Will you please enter it to my account?" than to pay your money down. First the bill has to be added up, and, strange as it may seem, these shop people appear to take hours over a simple addition sum. "Eight and elevenpence halfpenny if you please, ma'am." Of course you have not enough silver, and so are obliged to wait for change. Then someone has to be found to sign. Altogether it takes quite five minutes longer paying ready money; and think, how five minutes after each [19] purchase would mount up in a day's shopping! I should say that, on an average you might call it two important hours regularly thrown away. "And a good job, too," perhaps our fathers, husbands, and brothers would say. But, then, you see, they are Philistines and do not understand.

But though we suffer somewhat at the hands of these shop people, I think in their turn they have to endure a great deal more from their customers. I have seen old ladies order nearly the whole shop out, turn over the articles, and having entirely exhausted the patience of their victims, say, "Yes—all very pretty—but I don't think I will buy any to-day, thank you," and they move off to other counters to enact the same scene over again. Selfish old things!

I was dreadfully hard up a short time ago, and of course my bills were ten times as big as usual. I had no money coming in, and could not conceive how I was to meet my debts.

It is astonishing, when you come to try it, how few paths there are open for poverty-stricken ladies to make a little money, especially when your object is to keep your difficulties a secret from your mankind. I tried every [20] imaginable way without success. What is the good of having an expensive education, of being taught French and German—neither of which languages, by the way, when brought to the test, a girl can ever talk, or at any rate so as to be understood. What is the good of it all, I say, when you want to turn your hand to making a little money? I felt quite angry the other day when, our cook being ill, we had a woman in to take her place. Fifteen shillings a week she made! She, who had had little or nothing spent on her education, could yet make more shillings in a week than I could pence! I began to wish I had been brought up as a scullery maid.

I can paint rather well, but what are the advantages of art compared to those of cookery? Many and many a shop I went into, carrying specimens of my talent, and asking the owners if they would employ me to decorate their tambourines, bellows, &c. But no, they all had their own especial artists, and were quite suited. It is such a dreadfully humiliating business. At the first place I could have slain the man for his impertinence in declining, and I left the shop with a haughty mien and my head in the air. [21] But I grew accustomed to it in time, and even used to try a little persuasion, which, however, proved of no avail. One man offered to exhibit my wares (I felt quite like a peddler going his rounds), and through him I sold two tambourines. Then who so proud as I? though my profits only came to a few shillings. However small, the first taste of success is always exhilarating, though indeed my confidence did not last long, for this was my first and last experience of money-making in the painting line.

I used to search the sale and exchange columns of the papers, and found once that someone wanted music transposed. I wrote directly offering my services, and charging a shilling per piece or song. For a wonder I was successful, for the person answered, asking for a specimen of my skill, which she was pleased to say would do very well.

How her letters used to amuse me! She must have been a rather incapable singing mistress I think. Her letters though properly spelt were written in an uneducated hand, and she addressed me as if I were a servant. She used to give me very little time in which to transpose her songs, [22] and insisted on their being finished when she wanted them. Sometimes I was quite tired out, for copying music is not a thing to be done in a hurry.

Somehow, our negotiations did not last long. Whether I grew careless, or she found others to do the work cheaper, I do not know, but she suddenly withdrew her custom, and I have never heard from her since.

My next venture was tale writing. Who has not tried this most unsatisfactory method? It is a tremendously anxious time when your first effort is sent out. What a lot of money you expect to obtain for it! You do not intend to be unprepared, so you spend every penny in your mind beforehand. Then there is the honor and glory of it! You will hear everyone talking of the cleverly written tale and wondering who is the gifted author!

What made me more hopeful was the possession of a cousin, who was very successful in this line. Indeed, she has reached the three-volume stage by now, and is beginning to be quite well known. I have lost my interest in her, however, since she took me and my family off in one of [23] her books. It is such an easy thing to do. You only have to find out a person's peculiarities—and everyone has a peculiarity!—and overdraw them a little. My sisters and I, I remember, figured as three brainless, fast girls, which would only have amused us had she left the rest of the family alone. It is a foolish thing to do, for besides nearly always giving offence it is not by any means an evidence of good taste.

It is much more difficult to write a tale than some people think; you get in such hopeless tangles sometimes. People you kill off in the first chapter, you sadly need in the last. Then, when you are finishing up, there are so many people to get rid of, that you are obliged to dispatch them in a bunch with an explosion, or something equally probable—three or four strangers as a rule, who have never seen each other before, but who considerately assemble in one place to meet their doom. Then the last pages will never fit in with the first. Your meek but lovely heroine at the beginning has been transformed into a beautiful vixen as you near the end, and is quite unrecognizable. The worst parts of all are the sensational ones. You think [24] you have worked your hero up to a pitch of fiery eloquence, while his fiancée is dying in agony close by, and when you complacently turn to read over the passage, you find his words imply no more sorrow than they would at the death of a relative from whom he had expectations, or—a mother-in-law!

It is rather a difficult matter in a large family to keep your actions a secret. Obtuse as most men are, with things going on right under their eyes, it is not easy to baffle them when once their curiosity is roused. And yet curiosity is always imputed exclusively to women! Though Eve was the first to taste the apple, Adam had no intention of being behindhand. I know a man who always manages to get down to breakfast five minutes before the rest of his family, for the purpose of examining the correspondence all round.

Fortunately I managed to escape from these inquisitive eyes, for I met the postman myself when he brought back my first tale. It was returned with the Editor's "compliments and thanks," coupled with the regret that he could not make use of my contribution.


I don't know that I ever felt such keen disappointment as when that tale came back from its first visit. I had hoped so much from it, and had been so confident of its success. It depressed me for some time, and it was long before I ventured upon anything in the literary way again. But habit is second nature, they say, so after that and other tales had been the round of all the magazines and returned to their ancestral home, decidedly the worse for their outings (change of air evidently does not agree with MSS.), they affected me no more than the receipt of a tradesman's circular. In fact I grew quite to welcome them as old friends, and no one would have been more astonished than I had they been converted into £ s. d.

Apparently I am not cut out for literary work. I have not sufficient imagination, nor am I sceptical enough for this fanciful and scientific age. The world only cares for impossible adventures and magic stories, or stories which undermine their religion or upset it altogether, and I am not clever enough for this.

Of course, in my pecuniary need I did not neglect to employ a "chancellor of the [26] exchequer," as Miss. Mathers calls her; a "wardrobe keeper," as she terms herself. Indeed, I employed two or three, and so had plenty of opportunities of observing the type.

These women certainly vary in the way they carry on business, but very rarely do they vary in appearance. For the fattest, ugliest, oiliest old creatures to be found anywhere, commend me to a Chancellor! I pause in astonishment sometimes, and wonder how they have the strength to carry so much flesh about with them.

The first one I engaged possessed a complexion of a glowing yellow, like unto the petals of an alamander. She carried on the business in a too independent way altogether. She would take up my garments, look them over with a contemptuous sniff (what eloquence there is in a sniff!), and then begin to talk of the "ilegant costoomes she 'ad 'ad lately of Lady ——, of the 'ansome silks and furs purchased from the Countess of ——," &c. It was cunningly and knowingly done. Immediately, as was intended, my productions began to lose value in my eyes, in contrast to her gorgeous descriptions. Finally [27] she would state her price, and by no art or persuasion would she give way a penny afterwards.

I believe she was given to fits. Anyhow she fell very ill once when she came, and had to be given brandy to support her. I was afraid she was going to die in the house, which would have been exceedingly unpleasant, for it is a heinous breach of gentility to be found mixed up in any such transactions. We are so foolish, we have such little minds, we try to hide our doings from our neighbors, who are all going through the same experiences, and are equally desirous of concealing them from us. If all our screens were taken away what a comedy of errors would be disclosed. How surprised we should be to see everyone committing follies of which we have been so ashamed and so anxious to hide from the eyes of all!

After all the brandy had a most beneficial effect. I think it must have flown to her head; for never before had she given such large amounts. I was quite sorry to find her so well at her next advent. Her sniff was even more eloquent, and her prices had returned to their [28] original low level. I regret now that I did not again try the brandy.

Another woman I employed was even uglier than the first. She was so wholesomely ugly. A great red full moon represented her countenance, radiant with the color of the Eiffel Tower. She was altogether a more satisfactory chancellor than the other. She always insisted on your stating your own price to begin with. "Well, what d'yer think yerself, mum?" was her invariable ejaculation, and then, hearing your reply, would break in on whatever you said by "It ain't worth more than 'arf that to me, mum," in the most aggrieved voice. I became used to her in time, and knowing she would halve whatever I said, used to demand double the worth of the thing. "What d'yer think yerself, mum?" You grow so tired of your opinion being thus asked. I wonder how many times she says it in a day! It is a cautious way of going about it, at any rate. If that woman ever appeared in a police court on a charge of dishonesty, and the magistrate asked her what she had to say to the charge, the answer would undoubtedly be, "Well, what d'yer think yerself, sir?"


Some of those bills are still unpaid. Quarter day is coming round again, so I expect there will be some more soon. Alas! I am an unlucky being, born under an unlucky star.

You may think it a strange notion, but I attribute all my ill-luck to spiders:

"If you wish to live and thrive,
Let a spider run alive."

I am not superstitious as a rule, but I cannot help thinking that my wholesale massacre of this obnoxious insect has something to do with my misfortunes by way of retribution.

I hate spiders! Nearly everybody has a pet aversion of some sort. I have heard people shriek at the sight of a caterpillar, and turn pale in the neighborhood of a toad. My great antipathy is a spider! Not that I object to its treatment of flies—nasty little worries, they deserve everything that happens to them. But it is the appearance of a spider that is so against it. There is a shifty expression about the eye, and such a leer on the upper lip. Money spinners are not so objectionable. I can tolerate them. It is the big, almost tarantulas, from [30] which I flee. Those creatures which start up suddenly, and run across the room close by where you are sitting; creatures so large that you can almost hear their footsteps as they pass.

A man told me once he had found a spider in his room of such enormous dimensions that he had to open the door in order that it might get out!

Overdrawn, you say? Well, it sounds a little improbable certainly; not so much on account of the unusual size of the spider as for the extraordinary consideration on the part of the man.




Perhaps you don't think me competent to talk about politics? "What do women know about such things?" asks the superior masculine mind.

Well, they don't know so much as men, I admit, and I earnestly hope they never will. A woman who is infected with politics is a positive pest, and should be removed at once. If I do not know anything about them, at any rate I ought to, as I have been brought up in a raging Tory household, and so have been steeped in them from my youth up.

There is such a sameness in politicians. Whatever their opinions, their language and feelings are all one. They are only directed at different people. While one man is gloating over a Conservative victory you hear a mutter from the [32] Radical to the effect that "That brute has got in for ——" Poor man, why, because he thinks differently to you, should he be a brute? But just the same words are spoken if the positions be reversed. It is only the mouths that change places.

I am afraid my views incline toward the Tory side. I cannot help it, I was bought over long ago. You must feel an interest as to the successful candidate when the result means either a tip all round or a thundery atmosphere for the rest of the day. Men take an adverse poll as a personal affront and vent their feelings on their families. The tipping was quite an understood thing when I was younger, now it is given up, and joy is shown in a less substantial way, I regret to say. Unfortunately the thunder storms are not events of the past as well.

Politicians have such a narrow way of looking at things. The other side can do nothing right while they themselves are absolutely faultless! If a Tory wishes to confer an opprobrious epithet on a person he calls him a Radical, and vice versâ; the opposite faction is capable of any enormity? This reminds me of the old Scotchman [33] who on being asked his opinion of a man who had first murdered and then mutilated his victim, answered in a shocked voice, "What do I think? Well, I think that a maun who'd do all that would whistle on the Sawbuths!" "Such a man must be a Home Ruler," my father would have said.

In having a guest with opposite views at your dinner table, what agonies do you not suffer? I have gone through those dreadful meals trembling at every word that drops from the man's lips. Try as you may, turn the conversation how you will, there is sure to be some allusion, some statement that sets on fire all the host's enthusiasm, and it does not take long before the poor guest is entirely annihilated and subdued—unless indeed he is as hot on his side as the other is on his; then indeed all we can do is to sit and hear it out. To attempt to stem such a torrent would be the act of a lunatic. We only feel thankful that "pistols for two and coffee for one" is a thing of the past.

The General Elections are dreadful times; nothing but canvassing goes on night after night for weeks beforehand. Conversation is entirely [34] restricted to the coming event—if you mention a word about anything apart from it, you are considered absolutely profane, and are treated as a pariah for the next few days.

It is interesting, I admit, and the election day itself is positively exciting. You cannot help catching the malady at times. I remember once, when I was very little, and walking out with my governess, tearing down a Liberal bill, in spite of all she said to the contrary. True, it was on what she considered her own side, though I don't think she knew enough to distinguish between the two; still her real annoyance was occasioned more by the look of the thing. That a pupil of hers should act in such a plebeian way, and in so public a place, certainly must have been somewhat provoking? Anyhow, she gave me a bad mark for disobedience, which affected me but little, as when I related the story to my father later on he rewarded me with a shilling for my prowess! Electioneering, you see, is not good for the morals!

How tired you get, too, of seeing the names of would-be members stuck up all over the place. My brothers used to follow the Liberal [35] bill-sticker round, and as soon as he had turned his back pull the placards down, or cover them up with their own. This was found out at last, and the foe grew more cautious.

Then the extravagant promises made by the candidates, which they never really intend to fulfil, and could not if they wished. It is like the man in Church who, while singing—

"Were the whole realm of nature mine,
That were an offering far too small,"

was rubbing his finger along the rim of a threepenny bit to make sure it was not a fourpenny!

On election days all mankind goes mad. Their excitement is so great that they would scarcely know it did they forego their dinner. And this, with men, proves an absorbing interest in the matter. Anything placed above dinner, in their opinion, must be important indeed.

There is such a polite element abroad on polling day. Men are so respectful and hurl such affectionate terms at one another. Even the dogs are upset, and strut about in quite a different manner than on ordinary days, so puffed out with vanity are they, on account of their [36] decorations. The members' wives and their friends are all taking part in the scene too, bringing voters along in their carriages, and shaking hands with everybody indiscriminately. I heard an old navvy protesting once that "Lady —— never troubled to shake 'ands with him any other time, but was generally that 'orty she'd step over you as soon as look at you."

Poor old men are dragged out nolens volens to add their mite to the public voice, and are sometimes so aged that they scarcely know what their opinions are. I hope I shall not live to be very old. It is a terrible thing when you make such a prolonged stay on this earth that you have to be helped off it.

It is very curious too, how exceedingly disobliging old people are. I know a family who have never worn anything brighter than grey for years. "In case we have to go into mourning soon—our poor old aunt, you know. It's so very sad!" and they squeeze a tear out from somewhere, but whether on account of their relative's illness, or her prolonged life, is open to opinion. The old lady is flourishing still, and the family is as soberly clothed as ever. [37] When she has been dead a few months what rainbows they will become, to make up for lost time!

"A disappointing man," I have heard a dutiful nephew term his uncle. True, he (the uncle, I mean) is ninety-four, and therefore old enough to know better than to rally so many times. But after all, he does nothing, runs into no danger, is tended as carefully as a new-born baby; I should not at all wonder if he still continued "disappointing" and took a new lease of life for seven years. But I am digressing, and must return to politics.

I went to a Primrose meeting once and the experience was not so happy as to make me wish to try it again.

It amused me, certainly. The conclusion I eventually arrived at, when I left, was that the chief element in the Primrose League was gratitude! This virtue seemed to be the point round which all the speakers rallied.

First the secretary rose, ran off a quantity of statistics, as to what had been done by the great League, what it was going to do, and how many converts had been induced to join, which was [38] exceedingly uninteresting, I think, but which elicited loud applause from the rest of the audience. Then some resolution was passed, at which if you agreed you were begged "to signify the same in the usual way." After which those who thought differently were asked to show their feelings in the same fashion. I held my hand up here, but I suppose the ruling councillor did not expect any opposition, for he never even looked round to see, but gabbled off by rote, "On the contrary? carried unanimously!" and my amiable attempt at running counter to the rest was not even noticed!

Then the ruling councillor gave way to Mr. —— (here a sickly smile was directed at the great man), who had so very kindly come to speak to us this evening, who would, he felt sure, quite enchant us with his—er—great eloquence (another leer to his right).

The great man then came forward, and with a superior smile on his countenance waited until the applause which greeted his entrance had ceased, and then began. He commenced somewhat softly, detailing all the advantages of the Primrose League: what it had done for [39] England, the fear it arouses in the heart of the Liberal faction, how it will raise the country to a summit it never before has reached! No! and never would have reached had it not been for this flourishing, this powerful League! &c., &c., &c. His voice gradually grew louder and louder until, with beating his hands on the table, stamping violently over the sins of the Radicals, and perspiring vehemently in the effort, he presented anything but a pleasing spectacle.

Of course animation like this brought down the house. The applause nearly deafened me, and I was quite glad when he drew near the end of his most tedious speech. He concluded by calming down very suddenly, returned to his original tones, and thanking his audience for his exceedingly kind reception, retired to his seat looking, as Mr. Mantalini would say, a "dem'd damp, moist, unpleasant body."

Then up rose the ruling councillor, and called us all to pass a vote of thanks to the "gifted orator." Someone seconded it, and the great man came forward again to thank us for thanking him. A sort of "So glad, I'm glad, you're glad" business, it seemed to me.


Then the ladies were thanked for being present: "Such great aids, and such an important element in the League," with a snigger, and what he confidently hoped was a fascinating smile, but which made him resemble a very placid cow with the corners of its mouth turned up. Such a mouth, too! The poor man could have whispered in his own ear had he wished. Then someone returned thanks for the ladies. The ruling councillor was thanked, and thanked his thankers back again, and after a few more people had exhibited their great faculty for gratitude the meeting broke up—the only moment at which I felt inclined to applaud.

I do not wish to disparage my own "side" by the foregoing remarks, not caring in any way to emulate Balaam. It is not only the members of the Primrose League who are so anxious to praise each other. It is the case at nearly every meeting you go to. It is a weakness of human nature. We know that if we laud our friend he will sing an eulogy on us the next minute, so it is only natural we should do it, after all.

"The fault is not in our stars,
But in ourselves, that we are underlings."




"The Muses' friend, Tea, does our fancy aid,
Repress the vapors which the head invade,
And keeps the palace of the soul serene."

How I do love tea! I don't deny it, it is as necessary to me as smoking is to men.

I have heard a lady accused by her doctor of being a "tea-drunkard"! "Tea picks you up for a little time," he said, "and you feel a great deal better after you have had a cup. But it is a stimulant, the effect of which does not last very long, and all the while it is ruining your nerves and constitution. I daresay it is difficult to give up—the poor man finds the same with his spirits. You are no better than he!"

It is rather a come down, is it not? Somehow, when you are drinking tea, you feel so very temperate. Well, at least, the above reflection [42] makes you sympathize with the inebriates, if it does nothing else; and I am afraid it does nothing else with me. In spite of the warning, I continue to take my favorite beverage as strong and as frequently as ever, and so I suppose must look forward to a cranky nervous old age.

It is curious to notice how men are invading our precincts now-a-days. They used to scoff at such a meal as afternoon tea, and now most of them take it as regularly as they stream out of the trains on Saturday afternoons with pink papers under their arms—such elevating literature! Indeed there is quite a fuss if they have to go without it—the tea I mean, not the paper.

It is strange too, because they dislike it so, if we trespass on their preserves, e.g., their outcry on ladies smoking: which is exceedingly unfair, for we have no equivalent for the fragrant weed. Still I agree with the men in a way, for nothing looks worse than a girl smoking in public, though a cigarette now and then with a brother does, I think, no harm, provided it does not grow into a habit.

My brother once gave me a cigarette and bet me a shilling that I would not smoke it through. [43] It was so hard that if I had bent it, it would have snapped in two. He had only just found it in a corner of a cupboard where it had lain for years and years. But oh, the strength of that cigarette! It took me hours to get through, for it would not draw a bit. Nevertheless, with the incentive of a shilling to urge me on, I continued "faint but pursuing" and eventually won the bet. I would not do it again for ten times the amount.

But I should be talking about tea, not smoking; and tea has other baneful influences besides destroying the digestion. I think that afternoon tea is the time that breeds more gossip and scandal than any other hour in the day.

As Young exclaims:—

"Tea! How I tremble at thy fatal stream!
As Lethe dreadful to the love of fame.
What devastations on thy bank are seen,
What shades of mighty names that once have been!
A hecatomb of characters supplies
Thy painted alters' daily sacrifice!"

Acquaintances drop in. They have all the latest doings of the neighborhood at their [44] fingers' ends, and in a quarter of an hour have picked everyone of their most intimate friends to pieces, nor do they leave them a shred of character.

Why do we feel such a relish in running down our friends and relations—the latter especially? I quite enjoy it, though I should never do so outside my own family; thus my words never come round to their ears. It is a necessity to relieve your feelings occasionally, and your family is a good, safe receptacle.

For those who have a taste for speaking spitefully of their neighbors, I can suggest an amusing game which was, I believe, started in Oxford. It is called Photograph whist, and is played by four. Two or three dozen photographs are dealt round, and each person plays one, he who plays the ugliest portrait taking the trick. The more hideous the photograph, the greater its value as a trump! I have played the game with a man who always keeps his brother to the end, and then brings him out with enormous success, the said brother never failing to overtrump any other card in the pack! So you see it is a most amiable game altogether. [45] You must only be careful not to spread your doings abroad, or no one will present you with their portraits ever again.

There is no sin so bad as being found out. You can say anything as long as you are not discovered to be the originator. But if your words against a person ever happen to get round to him or her (of course added to, and made almost unrecognizable in their progress) you make an enemy for life. At least, this is so as a rule. Personally, I never care what people say against me, so long as it is not true. But if they only keep to the truth, then it is aggravating. You cannot deny it! You cannot "tremble with indignation, and fling the words back in their faces," as the slandered heroine always does in the modern novel. You must simply submit to the accusation.

A man I know was saying all round the place a little while ago, that my sisters and I "were all good looking until we opened our mouths." Of course we heard of it, and have never forgiven him for his "damning praise." But it is true. We always admit the fact. We know we show our teeth too much when we [46] laugh and talk. It was impossible to disclaim such a statement. If he had said that we squinted, not a syllable would have been pronounced against him. Our eyes are all exceptionally good, and would bear any detrimental remarks. But no, he kept to the truth, and consequently has suffered ever since, for ways of revenge have been found which were thoroughly successful. He is the ugliest man I ever met too, and should therefore have been the last to offend.

In spite of the tea you are invariably given on such occasions, I think calls—formal calls—are some of the most dreadful experiences Mrs. Grundy obliges you to undergo. I dislike them immensely, and always get out of them if possible. I hope servants do not afterwards record the expression of my countenance when they tell me their mistress is "out." It is radiant with an unholy joy!

These dreadful "at home" days, too, are so provoking. If you know a dozen people in a neighborhood, you can only call on one at a time. They all have different days! This may seem slightly impossible; but it is not indeed. While [47] one lady's house is open to visitors on the first and third Wednesdays in the month, another is on view on the second and fourth, and so on. Not two people agree!

Small talk, I think, is never so small as on these occasions. The poor weather is thorougly worn out, a few mutual friends are picked to pieces, and of course there is a discussion about dress. Sometimes you hear some sad account of the lady's second cousin's daughter, and you have immediately to clothe your countenance in a sober garb. You must look grieved, and all the while not caring one straw if the cousin's daughter has fits or gets insane, or anything else she cares to do. You have never heard of her before, and therefore have not the slightest interest in her eccentricities. I always feel so terribly inclined to laugh, just because I ought to be doing the other thing.

People are so fond of talking about their troubles and griefs. The greater the sorrow, the greater the discussion. They call up tears to their eyes, as if the subject were too sacred to approach. But such tears are kept for the purpose. They come at their bidding, and fall as [48] naturally into their place as if the exhibition had been practiced beforehand. It is a positive enjoyment to such people to detail their grievances.

With the lower classes, this, so to speak, gloating over your losses is even more apparent. One comparatively well-to-do woman I know, seems to have a monopoly of funerals. There is always some relation dead, and off she goes with an important air, draped from head to foot in black; the picture of "loathed melancholy" outwardly; inwardly, glowing with pride; while all her neighbors stand outside their doors, literally consumed with jealousy at her good fortune! And then the terrible moment of her return, when you are obliged, whether you will or not, to listen to the whole account, the description, the progress, and finally the interment of "the corpse"! I hope, however dead I may be one day, that I shall never be described as "a corpse"! There is something so horrible in the word, I always think. It makes you even more dead than you are. It cuts you so absolutely off from the living.

Then there are those tiresome people who talk [49] of nothing but their own families. The mother from whom you hear all the ailments of her children if they are young, all the conquests of her daughters if they are old. The sisters, to prevent the accusation of vanity, do not praise themselves, but arrive at the same end by lauding up each other! These "mutual admiration" families, as Wilkie Collins so aptly terms them, are families to be shunned.

You do not very often come across men on these "at home" days. If they are in the house, they wisely avoid the drawing-room; and if you ever do meet one, he is sure to be a very milk-and-water young man—one who delights in small talk and small matters; or else a curate.

I met one of the former class the other day. He was a dreadful specimen! A large head, a bland smile, a vacant stare, and an enormous capacity for eating!

He came and sat by me when I first arrived; but when he made a slip of the tongue, and I brought it to his notice kindly, but firmly, he went away and sulked for the rest of the afternoon.

He was talking about the recent muzzling [50] order, and added, in quick little tones, "They are talking about muzzling cats, I see."

"But cats do not bite," I objected.

"No," in mild surprise at my ignorance; "but they scratch."

"And do they intend to muzzle their paws?" I asked, smiling; adding a suggestion that two pairs of goloshes apiece would answer the purpose admirably, besides having the combined advantage of keeping the poor things from rheumatism!

But he did not smile. He saw nothing funny in what he had said. He thought I was laughing at him, and so left me at the very first opportunity, and went and sat by himself at the tea table. I could not very well see what he was doing, for his back was turned; howbeit it was a very eloquent back—a back which appeared absorbed in bread and butter and cakes! He must have cleared the table, I should think, before he had finished!

It certainly is not nice to be caught up suddenly and made to appear foolish. If you ever make a mistake, the best way is to confess it at once, to tell the tale yourself. It sounds very [51] different from your lips than from those of your dearest friends. People laugh, but it is a laugh that lacks the sting it would have if someone else told it at your expense.

I remember making a woeful slip when I was taken over a cotton mill. The man who was conducting us pointed to what looked like a heap of dirty wool, and explained that it was the raw material. "And is that just as it comes off the sheep's back?" I asked, unthinkingly. If a thunderbolt had fallen in our midst the guide could not have been more astonished. "Cotton, Miss!" he said, with grave surprise, "Cotton is a plant!" I inquired for no further information in that cotton mill, but I told the story myself when I reached home, joining in the laughter that followed as heartily as any of my audience.

Curates are more the rule than the exception at the five o'clock meal. Somehow, you always connect the two. Afternoon tea without a curate sounds an anomaly, a something incomplete.

I have had great experience in curates. Ours is a large parish, and many clerical helps are needed. Large, small, nice, objectionable, ugly, handsome—I have met specimens of each and [52] all, and have come to the conclusion that the last kind is the worst. How rarely do you meet a good-looking man who thinks of anything but his appearance. It is strange, for the more lovely a woman is the less apparently conscious she is of her beauty. At any rate, she does not go about with an expression which seems to say, "I am that which is 'a joy forever'—admire me!"

The "pale young curate" type is perhaps the most general. This poor thing is so depressingly shy—I say depressingly, because his shyness affects his company. You try to draw him out. You ask question after question, and have to supply the answers yourself, only obtaining, by way of reward, despairing upward glances, that are by no means an encouragement to proceed.

The most fatal effect of this shyness, however, lies in the fact that he dare not get up to go! He sits toying with his hat, he picks up his umbrella three or four times, and lets it drop again; finally, starting up with a rush in the middle of a conversation, he hurries out, shaking hands all round with everyone but his hostess!

Would it be a very heinous breach of etiquette, if after an hour and a half of this curate's [53] company, one should suggest diffidently that it was time to go?

In strong contrast, there is the bold, dashing man, who only comes when he knows all the daughters are at home, not so much because it gives him pleasure to see them, as because he would not deprive them of the pleasure of talking to him. He has a faith in himself that removes mountains; no lady's heart can beat regularly in his presence, according to his confident opinion.

So on the whole I do not think afternoon tea is so nice abroad as it is at home. It is not so pleasant with many as with a chosen few. I am selfish, I am afraid, but I must confess I enjoy mine most with the sole company of a roaring fire, a very easy chair, and a novel!




I do not know who was the originator of the remark, but it has often been said, and is generally admitted, that women do not dress to please the men, but to outdo one another.

I think just the same might be said of men in their turn. It is after all this spirit of competition which helps to make the world go round. It is innate in man, and woman too, to always try to outrun each other.

With clothes it is undoubtedly the case. The ancient Briton must have vied with his neighbor in different designs with the woad plant. An unusual curve, an uncommon pattern, caused, I daresay, as much excitement then as the fashions of our own day.

I often wonder how they will manage some points in the histories for the coming generation. [55] In most of these books you see illustrations and descriptions of the dress of the period, the costume of the reign. How, oh historians! can you show forth those of Victorian times? Fifty years have passed already! There were four seasons in each of those fifty years! Two hundred illustrations must be shown in order to give a correct idea of the dress of the time! Perhaps it might be more satisfactory to devote a volume exclusively to the subject.

If only we did not run on so quickly! We seem to get faster every year. In a very little time, what we wear one day will be quite out of date the next! When we arrive at this climax, there will be a sudden convulsion of nature, I should think, and we shall return once more to the more simple garb of the aborigines. What an amount of trouble it would save us! No worrying because the dressmaker has not sent our gowns home in time! No sending them back to be altered! No dressmaker's or tailor's bills; or at the least, very small ones; for "woad" could not ruin us very much.

So on the whole it would be well perhaps if this revolution did occur. Some such convulsion [56] as geologists declare has already frequently befallen our earth; and, as they prophesy, is shortly coming again.

I do not like talking to these scientific men. They make you feel so infinitesimally small. They go back such a long, long way. They make out that from the Creation (which by the way they do not admit, only considering it another great change in the world springing from natural causes), from the Creation until now, is the space of a moment on the great clock of time, is a mere "parenthesis in eternity."

It is not nice to feel such a nonentity. What are our lives, our little lives in comparison? We, who each consider ourselves the one person upon the earth, the hero or heroine in the great drama: all the rest mere by-characters. We do not care to be considered of such little consequence; only puppets appearing on the stage for one moment and taken off the next. We are like the clergyman in the small island off the North of Scotland, who prayed for the inhabitants "of Great Cumbray and Little Cumbray and the neighboring islands of Great Britain and Ireland!" On our small piece of land, we yet consider ourselves the centre of the universe.


It is to be hoped if this revolution occurs, after all, that the climate will change likewise. We should require something more besides blue paint in most of our English winters!

Perhaps we take too much thought for what we shall put on. They say that nothing but the prevailing and forthcoming fashions fill the feminine mind. It is true sometimes, I daresay, and yet I always agree with our immortal bard in thinking that "Self-love is not so vile a thing as self-neglect."

It is decidedly better to think too much than too little. It is a duty to your country and your nation to look your best, no matter who is likely to see you.

Of course it can be overdone, e.g., the lady who insisted on her bonnet being trimmed on the right because that was the side presented to the congregation! And she, I am afraid, is only a type of many.

There is no reason why this should be the rule; yet nearly everyone seems to bring out their new clothes on Sunday, and exhibit them in Church. I suppose it is because they meet so many friends there, and with laudable [58] unselfishness wish them all equally to enjoy the sight.

"What's the good of your going to church?" a man said to me once; "you only go to show off your gown and look about to see who has a new bonnet and who has not! Now, when I go," he went on in a superior way, "I don't notice a single thing anyone has on!"

"No," I answered quietly, "but you could tell me exactly how many pretty girls were amongst the congregation, and describe their features accurately!" And he not only forbore to deny the accusation, but admitted it with pride! No girl, he assured me, with any pretence to good looks, ever escaped his notice.

Which was the worse, I wonder; he or I? At least I did not glory in my misdeeds.

"Il faut souffrir pour être belle;" and I have suffered sometimes. How often I used to burn myself when I first began to curl my hair! This is such an arduous task, too, with me, for my hair is, as my old nurse used to call it, "like a yard o' pumpwater" (I never went to her when I wanted a compliment). It certainly is straight, and I find it a matter of great difficulty to give [59] it the appearance of natural curls. But "practice makes perfect," they say, so I still persevere, hoping that it may come right some day. I have to be so careful in damp and rainy weather. It is such a shock to look at yourself after a day's outing, to find your "fringe" hanging in straight lines all down your forehead, an arrangement that is so particularly unbecoming. You begin to wonder at what time during the day it commenced to unbend, and if you have had that melancholy, damp appearance many hours. Perhaps it is as well that you did not know before, for it could not have been rectified; you cannot bring a pair of tongs and a spirit-lamp out of your pocket and begin operations in public! Still it is exceedingly aggravating if you think you have been making an impression, and you return home to confront such a dejected-looking spectacle as you find in your mirror.

I am wandering again. Let me get back to my subject—Dress. To insure a good fit you must have your gown so tight that it is impossible to raise your arms. You are obliged to walk about stiffly, with all the appearance of a trussed fowl. If you wish to put on your hat [60] you must first unbutton your bodice! It is particularly awkward, too, in Church: you scarcely have the power to hold your book at seeing distance. But what do such trifles matter? You look as if you had been melted and poured into your gown. What are a few discomforts, more or less, when you have procured an effect such as that?

I always like to look as tall as possible. Five feet four is not a very great height; so, to give the appearance of another inch I have my skirts made as long as possible; that is to say, they just don't sweep the pavement, and that is all. But, oh! the trouble of that extra inch! Unfortunately I have no carriage, my present pecuniary condition does not permit me the luxury of hansoms, and I always avoid an omnibus, where you have fat old men sitting nearly on the top of you, wet umbrellas streaming on to your boots, squalling babies, and disputes with the conductor continuing most of the way—not to speak of the time you have to wait while so many roll by "full inside!" So on muddy days, when I take my walks, the amount of distress I have to undergo on account of the length of my [61] gown is inconceivable. I grow weary with holding it up, and have to stop in the middle of the street to change hands, and when you have an umbrella as well, and sometimes a small parcel besides, this performance is anything but a momentary matter. You drop your gown, the umbrella changes hands, and the parcel generally falls in the mud! While picking it up, four impatient, wet, mackintoshed pedestrians knock against you, and go off uttering imprecations on your head. And when you are once again comfortably settled, your satisfaction does not last long. Your left hand tires as soon as your right, and the scene has all to be acted over again.

There is a great deal of "savoir faire" in holding up. Your gown must be high enough to quite clear the ground, but then comes the danger of holding it too high. There has been no license yet granted for the exhibition of ankles in the great metropolis either by Mrs. Grundy or the County Councils; therefore "holding up" becomes a very delicate performance.

Though we do not dress only to please the men, I always prefer their criticisms on a [62] costume to those of my own sex. You can never tell if the latter speak the truth. They may be jealous, and run it down from spite; they may want to gain something from you, and so call yours "a perfection of a gown, and suits you admirably, my dear!" disliking it exceedingly in their inmost hearts.

But a man never gives his approbation unless he really means what he says, and he is not difficult to please as a rule. So long as the costume is neat and well-fitting, he does not care about anything else. It is the tout ensemble he thinks of, not the thousand and one details that go to make up the whole.

I wonder why so many men dislike large hats! It is a pity, for they are so very becoming to some faces, and give a picturesque effect altogether. Perhaps this last is a reason for their disapproval. They never like their womankind to attract attention.

The most unpardonable sin one woman can commit against another, is to copy her clothes and bring the style out as her own idea. It is intensely irritating! If she admits she has copied or asks your leave beforehand, it is a [63] different matter. You are even gratified then, for "imitation is the sincerest flattery." But to have your ideas stolen and brought out in such a way as to convey the impression that you are the imitator, to say the least, arouses murderous intentions in your heart!

There are times, too, when you receive a shock to your vanity; times when you are quite satisfied with your appearance, and find to your dismay that everyone is not of the same opinion.

I remember once when I was dining out and feeling very pleased with my tout ensemble, I was disillusioned in a way that not only upset my self-confidence, but my gravity at the same time. To heighten the general effect, I had stuck a patch near my mouth. (Oh, the minds of the last century! From whose fertile brain did it emanate, I wonder, the fact that a piece of black plaster on the face, should be so eminently becoming!) Imagine my horror when the maid, an old servant I knew very well, took me aside and whispered confidentially, "Oh, Miss! you've got such a big smut on your chin!"

Clothes are altogether a great nuisance, I think. How tired you get of the regular routine of the [64] morning toilet; always the same, never any variety. Why are we not born, like dogs, with nice cosy rugs all over us, so that we should just have to get out of bed in the morning, shake ourselves, and be ready at once to go down to breakfast and do the business of the day?

"Ah well! God knows what's best for us all," as an old charwoman said to me, years ago, when she was remarking on how I had grown. I never saw the application of the remark, and do not think I ever shall. Whether my growth was a subject to deplore, and she tried to comfort me, or not, I cannot say; but she was evidently proud of the remark, for she repeated it three times!




It is such a prickly time. Not only everything but everybody is positively bristling with prickles. Go where you will, you cannot avoid these pointed, jagged edges. You come across them everywhere, and have to suffer accordingly.

To begin with, there is the holly. Now you could not find anything lovelier in the way of foliage than holly, only such a little suffices. At Christmas time you are literally saturated with it. In every house you enter, in everything you eat, at every step you take, nothing but holly, holly, holly.

Then there are the Church decorations, begun generally a week beforehand. All the ladies of the place assemble in the vestry, attracted there by divers reasons. Some, by the desire to have [66] a finger in every pie; some, because it is an opportunity to meet the curates; and some, but a very few, from real love of the work. I cannot understand these latter, I must confess. It is the most disagreeable work I have ever undertaken. Such dirty work, too! Your hands or your gloves grow perfectly black under the operation; and it is a curious thing, that when this stage is reached, your nose invariably begins to itch, and you forget the condition of your fingers, and—well, the result is anything but becoming! It is so comfortable, too, walking about the vestry, isn't it? The holly grows so affectionate to your ankles, and at every step squash goes a berry, and all its middle oozes out and sticks to the sole of your boot. When you go home, you find you are at least an inch taller by reason of the many corpses of berries you have collected!

Yes, Christmas decorations are delightful altogether. And so the clergymen think, when they become excited in their sermons, and bring their fists down sharply on some charming arrangement of holly round the pulpit. They do not actually swear then, but their faces express [67] sufficiently all they would like to say; it rather spoils the effect of the discourse, especially if the text be on the virtue of patience.

As I said before, everybody is prickly at Christmas time, especially one's relations. And so, to make the season as festive as possible, we, in our sensible way, collect as many of these cheerful, sociable beings together as we can; and, in short, make a delightful family party. Holly? it is an insult to the tree to compare it in any way. No, I think the whole gathering resembles a hedgehog more than anything else. It is one mass of prickles. Ah, these happy family parties! Is there ever one member that agrees with another, I wonder?

There is the crabbed old maiden aunt, always on the defensive, never without the idea that someone is waging war against her. Yet she has to be treated civilly, and humored. Has she not that which some people term "filthy lucre," but never really think so? Have these old ladies ever had any youth? Have they ever danced and enjoyed themselves like other people? What has made them so sour, so bitter? Is it disappointment or regret? Poor [68] old souls! In spite of their money, they never seem happy. They are to be pitied, I think, though they do try to make themselves as disagreeable as possible. They are so independent, too, they will not be interfered with. They know everything better than any one else. One old lady I used to know declined altogether to have a lawyer, insisting on making her will herself. It was found afterwards, fortunately not too late, that she had appointed herself her own executor!

Then there is the maternal grandmother; to whom, of course, the host is openly rude. This wears you out more than anything, for you have always to be ready to smooth over and soften every sentence that is said. And she never helps you at all, either. If she can possibly put her foot in it, and unconsciously irritate her son-in-law more than ever, she does it.

Then the uncle who spends his life in making the most villainous puns you ever heard. Not a remark, not a word in any assembly, which this witty specimen of humanity does not at once garnish with a pun of the poorest description. It generally has to be repeated twice, [69] too, for it is never noticed the first time. The poor pun, indeed, has a most melancholy existence, for it is greeted with no other applause than that emanating from the author of its being, and stirs up a torrent of abuse from the maiden aunt, who thinks the laughter is directed at her.

Why were punsters ever invented, or family parties either? They are our thorns in the flesh, I suppose, and so must be endured.

After dancing attendance upon these lively old people during the day, the least you expect is a good night's rest to support and invigorate you for the battles on the following day. But no, at Christmas time any repose is denied you.

You are just off to sleep, forgetful of all troubles and strife, when you are rudely awakened and brought back to the present by the most awful screechings under your window. Morpheus flies, he has a musical ear has that god, and when once, "Oh, come let us adore him," with a concertina accompaniment, both voices and instrument woefully out of tune; when once these harmonious strains have started, that good old deity goes, to return no more that night.


Where does the pleasure come in, I wonder? Certainly not to us fuming inside; and surely not to those poor deluded people squalling outside! It must be so cold, so raw; and they never get appreciated, these so-called "waits"—oh, if they only would not wait, but go away somewhere else, how much more satisfactory for us all!

No, Christmas is not a soothing time. It does not altogether improve your temper. How glad I am when the festive season draws to a close, and the last petitioner for Christmas-boxes goes on his way rejoicing. To me it always realizes that period so often referred to by the lower classes, "a month o' Sundays." So much church and so few posts!

It certainly is a little more interesting when the presents come in. There is a kind of excitement about them; and it is not until the following day, when you find yourself with a dozen letters of gratitude to indite, that you feel that perhaps, after all, you might have done without them.

There is nothing so annoying as being obliged to write letters when you do not feel inclined. [71] It is a great art, this letter writing, and very few possess it. People often think they do, and they write for writing's sake; but these letters are most wearying to read. Between every line you seem to see the words, "Is not this a charming letter?" and in reality you are so bored it is all you can do to reach the end. Then those dreadful persons who "cross and recross" their epistles in every direction! Paper is not so dear but that they could at least afford a fly-leaf. They defeat their own ends, too, for their letters are never legible, and they have to write again to explain their meaning, thus paying another penny away in postage.

Why do we not make a stand against the old forms? Why should we always tread in the footmarks of our ancestors, instead of making tracks of our own? "Dear Mr. So-and-So," we write to a man almost a stranger to us. Imagine his surprise if we addressed him so to his face! And we end in just such a foolish and unreasonable way, "Yours obediently, faithfully, truly!" Where is the sense? Your signature should be quite enough. You have to be so careful, too, in saying whether you are obedient, faithful, or [72] affectionate to your correspondent. If you end too warmly, by mistake, the whole letter has to be written again. It is not a thing you can scratch out or correct. It would look so very bad.

People have different ideas of "Christmasing." Some prefer to adopt an unsteady gait, and to spend the night in a ditch or a police-station; some have a taste for family parties; some like it better by themselves, and some go right away and spend the time at a different place every year. These last are, I think, by far the most sensible. It is a mistake to have land-marks to remind you how time is running on, how friends have left, how the loved ones have passed away. The vacant place appears even more empty. The old happy times show out even happier in contrast to the present. You cannot enjoy yourself or forget the past, for

"A sorrow's crown of sorrow is remembering happier things."

It is far better to go away somewhere to places which recall no sorrows or recollections and have no associations with the years gone by.


He is growing such a foolish old man is Father Christmas. He rarely visits us now with hoary head, his garments sparkling with frost and snow. He is tired of all that. He likes a change of fashion, like everybody else. He either comes so thickly enveloped in yellow fog that you can scarcely distinguish the old man, or else he arrives so drenched with rain and splashed up to the beard in mud that we scarcely like to open our doors to him.

He is growing old, I suppose, and trembling on the brink of second childhood, so we must not blame him. But still he is not a very great favorite of mine, and I cannot refrain from echoing the complaint in one of the comic papers—"Why doesn't he strike, like the rest?"




At which season, I wonder, is the country most lovely, most enjoyable! Is it in the spring, with its richly-colored carpet, its young green leaves, its delicious perfumes, its glorious freshness? Ah, why cannot we, like the trees, put off our old sinful world-steeped habits, and year by year bud out in purest innocence once again? The hedges, but a week ago barren and bare, are now clothed in brightest apparel, the greenest of cloaks thrown over them, lifting up their heads and sharing in the general rejoicing, in the glory of their annual resurrection. Is it in summer, with its myriads of blooms, and its thousand thousand happy voices, the silent torpid river, basking in the light of the sun, and responding only to the fishes as they frisk near the surface? Or is it in the autumn, with its many shades, [75] with its long avenues on which nature has lavished whole tubes of burnt sienna and vermilion; when you tread on gorgeous paths heavy with golden leaves? Oh, why are we not as lovely in our autumn of life as nature is in hers? Why, when she decks herself in the gayest coloring, do we don our soberest garb? We do not gain in splendor as we grow older. We lose our beauties and our charms one by one, till at last we stand destitute. Oh, cruel Time to treat us so!

"Time that doth transfix the flourish set on youth,
And delves the parallels in Beauty's brow."

And yet "God tempers the wind to the shorn lamb." While He takes from us our youth He also takes away the inclination to be young. We pine for the happy days of childhood; yet, if the power were given us, who would wish himself back in the past? We feel we should always like to be young, but should we not get very weary of the world, should we not wish for some kind of change?

Or is nature at her best when the year is dead and the earth puts on her spotless white shroud, [76] when everything around has fallen asleep, and only robins are left to join in the wake?

Unanswerable question. There are too many opinions. Some prefer winter, some summer; some like the heat, some like the cold. Only in one thing do we agree, and that is, in our taste for variety, for change. Much as we admire the country, lovely as it is, it would not suit many to live there all the year round. The peace and quiet of our woodland scenes make us enjoy the town life all the more, while the unceasing turmoil of the season makes us hail with delight the idea of once more being

"Far from the madding crowd."

The very thought refreshes you. There is something exhilarating in our journey country-wards, long and tiring though it may be. Few people care about a railway journey, and yet with one or two kindred spirits I think it most enjoyable.

Traveling alone in the midst of strangers, you do feel rather melancholy. You try to read, and when you are tired of chasing the words up and down the page, you look out of the window and [77] admire the scenery as you flit past until your eyes ache to such an extent you are obliged to withdraw your gaze and be satisfied with the study of human nature, as far as it can be procured from the inmates of your compartment. Finally you go to sleep, only to wake up after a few minutes, to find the eyes of all your fellow passengers upon you, and this serves to make you nervous and uncomfortable. You dare not close your eyes again. You feel sure it is the signal for everyone to turn in your direction, and you will not gratify them.

Then comes luncheon time, when we all begin to grow fidgety, and take surreptitious looks at our watches, and then glance round at our companions to see if anyone is taking the first plunge. Hopeless quest! Nobody ever will be the first to begin to eat in a railway carriage. Why is it, I wonder? Are they afraid none of the others will follow suit, and they be left to eat all alone? It would be nervous work, certainly. You would feel so dreadfully greedy, and yet if you offered any of your fellow travelers even a sandwich, they would peek up their heads, give you an astonished look, and decline [78] shortly but with decision. You are made to feel you have insulted them, and yet they had such a hungry expression! Rarely indeed, though, do you undergo such an experience. You only have to rise, and reach down your basket, and behold! the next moment all the carriage is feeding. We are nothing but sheep after all. One leads the way, and we all follow.

When you have once made a start, eating on a railway journey is easy enough work; it is when you grow thirsty that the difficulty comes in. You pour the sherry, claret, whatever you have (some take milk in a green bottle—not a very tempting beverage to look at!) on to the floor, over your gown, on your neighbor's foot (thereby eliciting a most unholy frown from the recipient of your bounty), anywhere, indeed, except in your glass. Even if you are fortunate enough to catch a few drops, it is another Herculæan effort to take it to your mouth. No, drinking in the train, while it is in motion, requires years of practice.

Then again, your fellow passengers are not always all that can be desired. Often they are neither pleasant in themselves nor interesting as [79] a study. I traveled with an awful old lady the other day. She had six small packages with her in the carriage, besides her hand-bag and umbrellas and half the contents of an extra luggage van. The long-suffering porter who had looked after her boxes and finally put her in the train, was crimson with his exertions. The generous lady, having searched several pockets before finding the necessary coin, bestowed on him a threepenny piece for his trouble! "Thank yer, mum," he went off muttering grimly, "I'll bore a 'ole in the middle and 'ang it round my neck."

This good dame never ceased to worry all through the journey. She pulled her things from under the seat and put them up in the rack, and then reversed their locality. At each station she called frantically to the guard to know where she was and if she ought to change. Finally, when we reached our destination, it was proved that she had taken her ticket to one place and had her luggage labelled to another; and there she was, standing on the platform gesticulating violently, while the train was steaming off with her belongings. What happened I do not know, for I was hurried off by my friends; but I [80] should think it would be long before she and her luggage met again.

Fortunately she never knew how near she was to her death. If ever I had murderous intentions in my heart, it was on that journey north.

You do not feel very affectionate toward the country on a wet day. Indeed, it is a most mournful affair altogether, unless you have a particularly merry house party. There is absolutely nothing to do. The heavens weep at such inopportune moments too. There is sure to be some large picnic, some delightful gathering on the "tapis," when they choose to exhibit their griefs. And they never notice how unwelcome such a display of feelings is, but go on weeping, weeping, weeping all day long, until at last you catch the malady yourself, and are obliged perforce to mingle a few of your own tears with theirs.

No, there is simply nothing to be done, and Satan has quite a difficulty to find enough work for all the idle hands. Some can be perfectly happy in spending all their time in solving the intricacies of those many wonderful puzzles which have appeared lately as a sort of antidote [81] to the mischief generally supposed to be perpetrated by the aforesaid gentleman. Unfortunately, an entirely contrary effect is produced on me. They did not look far enough ahead when they made me. They could not conceive the wonderful minds of this time, and so did not endow me with a sufficient quantity of patience. If they could have imagined those marvelous little tin saucers, with shot running in and out of horse-shoes, &c., with me in the perspective, well, I think they would have gone about their work more carefully, and perhaps brought about a happier result. As it is, the puzzles are always swept away now at my approach. I have smashed so many.

It is base ingratitude, too, on my part, to bring them to so speedy an end; for what I owe to those dear little things I am powerless to express. Those entertaining people who sit speechless, and only answer yes and no with an eternal smile on their faces: give them a puzzle. There is no further effort to amuse them required on your part. They are at once absorbed in "shot." Their only idea is to successfully get them into their places. They never do; but being good [82] thorough-going characters will never give up the attempt.

You meet several of these people in the country, but they never get very friendly. You shock them too much with your "London manners." They vote you "fast," and turn aside, fearful of contamination for their daughters.

Oh, the dreariness, the heaviness of a country dinner party! It seems to last four times as long as any other—parish, horses, or crops the only topic of conversation. How can you be interested in old Jane Smith's rheumatism when you have never heard of her before; in the swelling of a favorite mare's hock, when you did not know it possessed such a thing. People's views grow so dreadfully narrow, shut up in their small parish. Their stock of conversation is so very small. It is wise to find out your dinner partner at once, and avoid that man as you would a disease until the meal is announced. If not, if you accidentally get in his neighborhood, and he talks to you, all his conversation is at once exhausted, and you are obliged to hear it over again at table, or submit to an interesting silence.


Dinner parties anywhere are, I think, a mistake. It is a wicked waste of time to spend nearly three hours over eating and drinking. And you require such a very interesting "taker-in" to make it bearable at all.

The river is the nicest way of spending a holiday, in my opinion; you are so free and untrammeled. Mrs. Grundy even waives some of her laws on the river. The smaller the cottage, the more primitive the place, the more enjoyable it is. You can spend your time on the water, and when you are tired of that, you can hire a pony and trap and drive through some of the loveliest bits of English scenery, to your heart's content.

Only be careful before engaging your pony to find out its previous occupations. It is a necessary caution, I assure you. It once took me nearly an hour to drive out of one of the smallest villages imaginable. And why? Because my pony had formerly belonged to the butcher, and insisted on first going his rounds! I coaxed, I persuaded, I lashed him, but it was all of no avail. On he trotted until he reached the familiar doors of his late customers, and then he [84] stopped and would not go on for at least five minutes. One place was worse than any. I could not get him away for over a quarter-of-an-hour. This rather mystified me until I was told later that the butcher was on "walking out" terms with the cook residing there!




There is not much difference of opinion as to when Town is at its best. Perhaps a few misanthropists, wrapped up in their little selves and their narrow thoughts, would shut themselves up during the season, in order to escape the pain of witnessing us all in our ungodly career. Shallow butterflies they call us. And what do they know about our lives? They judge from appearances; and because we wear a cheerful expression, shutting down our cares and struggles in our inmost hearts, and not burdening other people with them, we are called shallow and worldly. No, you good and godly people, what do you know about us? You are no more capable of judging than the ephemera, which lives but for a day, and so must consider the world all sunshine, all light. How can it imagine the [86] night which closes round later on, when neither it nor any of its ancestors have ever lived to see it?

You ought to be punished for your ignorant mutterings. You complain of the well-dressed happy throng. You should be turned out in the streets in August and September, and if the utter destitution does not shortly turn your brains back in the right direction I am afraid your case is hopeless.

Does any place come up to London I wonder? Having never been out of England I cannot give an opinion. Unfortunately I have not the gift, like some people, of either imagining or describing places I have never seen—descriptions generally gleaned from other books and compiled under one authorship as original compositions. Why cannot they be content with laying their English stories in English scenery: places they know well and can write about. Some save up their money in order to go abroad and visit one particular place, so as to bring new scenes into their new books. But ah, how weary you get of this one place! It is brought into at least three of their next novels. Everything, past, [87] present and future seems to happen there. Your one prayer, as you lay down the book, is to the effect that they may soon be able to save up a little more and visit another spot.

There is so much going on in May, June, and July, that it is a difficulty to get through all your engagements and yet see everything there is to be seen. Then there is the Park. Two or three hours of the day must at least be spent in the Park. There we all come out to show ourselves and to look at others. There the equestrians canter up and down the Row. Such equestrians too! If foreigners take their ideas of English riding from the Row, they must form a high opinion of our horsemanship.

There are the loungers flocking around their friends or walking up and down in the hope of admiration. And they get it too, for who could help admiring such master-pieces of a tailor's skill? Are these really the descendants of that Adam whose posterity had all to earn their bread by the sweat of their brow? These automatons, whose only business in life seems to be to look after pretty women and themselves? Men are supposed to be bread winners, but [88] they have a very easy time of it, I think, though they generally try to make themselves out so overworked. Go into that great centre of business, the City, and you find everyone of these busy men out and about, always apparently in a great hurry, never seeming to arrive at any destination, running about and hustling each other, occasionally meeting an acquaintance, which proves a good opportunity for one to stand the other a "drink." A funny way men have of showing their affection, have they not? "Ah! how de do, old fellow? Come and have a drink," is their invariable salutation to an intimate friend. After all it is better than the mutual kissing on the part of women, which is the more emphatic the more they dislike one another. Men are less demonstrative and therefore more sincere in their friendships. Anyhow there cannot be many at work in their offices, or where could this idle crowd come from?

In spite of their haste, though, they generally find time to stare at any woman who crosses their path. Why should not a woman go to the City? She has as much right there as man, and yet if she is in the least degree superior to [89] the flower girls (?) who surround the Royal Exchange, she is looked on as a freak of nature, a positive curiosity, and is followed by every pair of male eyes within reach!

Mrs. Grundy is inclined to rather overdo her season, I think. There is so much she might leave undone, so many things that "never would be missed." Imagine the gratitude that would be displayed to anyone who would put down and demolish those dreadful crushes, so called "at homes," where nobody ever is at home; where you have neither space nor air from the moment you arrive until the glad time comes for departing. Does anyone enjoy them, I wonder! Does anybody like being literally baked with heat, which I am sure must exceed even that at Mexico; where one of the inhabitants of that delightful climate, when he died and went to perdition, found the contrast so striking that he was obliged to send home for his greatcoat!

Still, I suppose such entertainments will continue to exist. They are a good deal cheaper than balls or dinners, and you can "knock off" ever so many people at the same time.

It is well, at any rate, to consider economy in [90] some matters in these wofully extravagant days. When the shops are decked out in their gayest colors to lure us on to destruction, why is it that "just the very thing you want" is placed so conspicuously in the front of the window, put cunningly near a mirror too, so that you see it all the way round, and it appears doubly precious?

How convenient it is, by the way, when they have mirrors in the shop windows. You can look to see if your hat is straight, or your veil nicely arranged, without being credited with vanity. You are supposed to be admiring the bonnets displayed to view, not yourself. Girls make a great mistake when they take little surreptitious glances at any mirror they come across. The action is always noticed and condemned; while if they, instead, went up boldly, ostensibly to smooth their hair or alter a pin, it would be taken as a matter of course.

It so soon grows into a habit, this always looking about for your reflection, and one that is very difficult to get out of. Not that the men are at all behind us in this respect. There are not many of our little follies that the lords [91] of creation do not take up and cultivate. You see them at dinner, addressing nearly all their conversation opposite—where hangs a mirror. At dances they are admiring and smiling at their reflections the whole evening, finding far more satisfaction in gazing there than at their partner, even though she be the loveliest in the land.

But to return to my subject. (I seem to be always wandering away.) You need never be idle in town. A wet day even makes no difference, when a place teems with picture galleries, as London does. They are such good places to meet your friends. You always see someone you know. You might as well be there as anywhere else. Of course you do not look at the pictures. You glance at the few you have heard talked about, just so as to say you have seen them. But you do not go to a picture gallery to look at pictures! "We always go the wrong way round. You avoid the crowd like that, you know," I have heard people say. "Avoid the crowd!" It is the crowd they want to see! There is less chance of missing your friends if you go in the opposite direction! There is [92] one real advantage though in beginning at the other end. You don't have the same people following you all the time, nor have to listen to ignorant remarks. "Who's that? She don't look very happy, to be sure," I once heard one woman ask of another as they were going round. "That? why that's Adam and Eve, o' course, and the serpent in the distance. I never 'eard of anyone else who went about without their clothes on, though why they put chains on her I can't think: it says nothing about 'em in the Bible."

I glanced at the picture. It was "Andromeda!" And they talk of the strides education has been making of late years!




Are you very shocked that I should couple these two subjects? An insult to the children, do you say? Well, do you know, I am afraid I consider it an insult to the dogs. I am not fond of children, and I love dogs. A man may be a superior animal to a dog, but a puppy is decidedly more intelligent than a baby. What can you find more helpless, more utterly incapable, than a baby? Look at a puppy in comparison. At a month old it is trotting about, and growing quite independent; more sensible altogether than a child aged a year.

I am afraid I shock people often by my opinions, but they are really genuine. I am always more interested in the canine race than in the blossoms of humanity. Very likely it is the behavior of each that makes me so. Children [94] never take to me, nor come near me if they can help it. I do not understand them, or know what to talk to them about. On the other hand, dogs will come to me at once, and, what is more, keep to me. I have never been growled at in my life, and I have come across a good many dogs, too.

"You were a baby yourself once!" How often has this been said to me when I have aired the above opinions. It is put before me as an unanswerable argument, a sort of annihilating finale to the conversation. Yet I really don't see what it has to do with the matter. I suppose I was a baby once. At least they say so. Which protestation, by the way, rather leaves it open to doubt, for "on dits" like weather forecasts are nice reliable institutions if you do but follow the opposite of what they tell you. Still, as there is more than one witness to the effect, I will give in and admit it; I was a baby.

But the admission makes me no fonder of the species. If anything it makes me admire them the less; for if I at all resembled the photographs that were taken of me—"before my eyes were open," I was going to say; at any rate [95] before I could stand—I wonder a stone was not put round my neck, and they did not drown me in the first bucket of water they came across.

It is said that ugly babies grow up the best looking, and vice versa. This is a pleasant and comforting thought for the ugly baby. It can bear a little depreciation now, because it can look forward to the time when it will far outdo its successful rival. And the pretty baby's glory is soon over. It becomes only a memory which rather irritates than soothes. For after all, retrospection is not so pleasant as anticipation.

The above remark was said before a child about four years old, the other day. She must have been listening intently, and having taken in the sense she inwardly digested it; for the next time she quarrelled with her sister, she broke in spitefully, "You must have been the beautifullest baby that ever was born."

Children should never be seen until they are over two. Until then they are neither pretty nor entertaining. But at this age they begin to say funny things, and so are interesting. "You only care for them when they amuse you!" cried a young mother once, indignant at my [96] selfishness. I suppose it is a selfish way of looking at it; but if modern children were brought up as we were brought up I should not object to them in the least. We were always kept strictly in the nursery, only appearing down-stairs on the rarest occasions: and when we arrived there we behaved properly—we were seen and not heard. We did not run noisily up and down the room, taking up the whole conversation of the party. We did not try to make the most disagreeable personal remarks; or if we did we were sent up-stairs at once, and not laughed at for our "sharpness."

There are no children, now-a-days; they are mimic men and women. They dine late, they stay up until the small hours, and are altogether as objectionable a faction as can be. They respect their father and mother not a whit. It was only two or three days ago I heard a child of five allude to her father as "the fat old governor," and simply get laughed at for her remark, no one joining more heartily than the said parent himself. Of course, with such applause, the child repeats it again and again.

They have such dreadfully sharp eyes, too, [97] these children. Not a defect escapes their notice. You tremble to hear what will come out next. They ask Mr. Jones what makes his nose so red. They want to know why Mrs. Smith puts flour on her face. In spite of a thick veil, they discover at once that Miss. Blank has a moustache, and inquire of her with interest if she is a man!

There are some nice children, of course—there are exceptions to every rule—and if they are pretty I cannot help admiring them. It is fortunate that I have never had anything to do with children. If I were a governess I should be so dreadfully unjust, I should always favor the pretty ones. I love beauty in any form. There are girls I could sit and look at all day, if they would let me. Only they are most of them so self-conscious; they expect to be admired, and when I see girls laying themselves out for admiration, however beautiful they may be, however strong my inclination to gaze, I will not gratify their vanity. For it is certainly true, that though we prefer the praise of men, we do not disdain any like offering from our own sex.


That is the best of very young children. They do not notice you, they are not yet awake to the power of their charms, so that you are able to look your full. I say "very" young, because it is a knowledge that comes to them only too soon, and a little of this knowledge is, at any rate, "a dangerous thing."

Children sometimes set you thinking more than any philosopher who ever existed. Their ideas are so fresh, so unsophisticated, so original. The atmosphere of the great unknown still seems to cling to their souls. They are not yet tainted with the world's impure air. They ask you questions impossible to answer, but which you are obliged to parry in an underhand manner, so as not to expose your ignorance. They solve problems and reach conclusions after a way of their own, which, at any rate, have plenty of reason about them. I remember being very much struck by a little boy's idea once when his mother was remarking on the strange appearance of a man who, while his whiskers were black as ebony, possessed hair of a snowy white. "But why, mother, should it seem funny?" broke in the child. "Aren't his whiskers twenty years younger than his hair?"


Dogs certainly cannot talk or say quaint things, but they can do nearly everything else. At any rate they can understand you and distinguish between the words, as the following instance proves.

We have family prayers at home, and have had them ever since we were quite little things. What an ordeal they used to be too! We used to be watched so strictly, and the moment our eyes wavered from our books, attention would at once be drawn to the culprits and cover them with confusion. Woe be to him, too, who forgot to turn over the leaf of his book with the rest! It is such an unkind thing to do to print all the books alike. If you forget and turn over later, you are at once detected. Being sharp children, however, we used to make this our first care, so that whatever we were doing—laughing, pinching, winking, our pages all went over together, so we sounded attentive.

Our little dog was even more cunning than ourselves. He was never permitted, on any plea, to lie before the fire. "It enlarged his liver," his master said. Now this decree is a great deprivation to dogs. They like warmth [100] and comfort just as much as we do; indeed, they love the fire to such an extent that if all the terrors of Hades were put before them, they would by no means have a salutary effect. The dogs would try to be as naughty as possible in the hopes of getting there.

But this particular little animal was made of most obstinate materials, and had no intention of being baulked; so directly we knelt down for prayers, he scrambled from under the table, and stretched his full length before the fire. He knew he would not be spoken to until we had finished, and felt quite safe until we all joined in the Lord's Prayer at the end, when he would immediately decamp, and thus escape any scolding for his disobedience. It was more especially clever of him because we all joined in the Confession as well, but he never took any notice of that, and always put off his departure until the last minute.

We had this dog twelve years altogether, and a sad night it was, indeed, when he had a fit and died. The breakfast-table next morning presented a most distressing spectacle. We were all positively swimming in tears. The whole [101] family was upset at his death; and when, later on in the day, he was wrapped up in a fish basket and buried in the garden, next door to a favorite rabbit—on whose grave a cabbage had been planted, most unkindly reminding him of the sweets of life he had left behind—we all lifted up our voices and wept again.

I often wonder if we shall meet our faithful dumb friends hereafter! Sages say no; but I cannot believe they are so entirely blotted out, and like to think they have some happy sugary existence somewhere, and that we shall see them again some day.

Dogs are very human after all; they have a great many of our virtues and nearly all our vices. I expect it is this that endears them to us, for "One touch of nature makes all the world kin." They are just as contradictory, as disappointing, as ourselves. Why will they always show off to such bad advantage? After spending weeks in teaching them, and fortunes on pieces of sugar, why, before an audience, will they insist on ringing the bell when they are told to shut the door? and when you ask them to sit up and beg, why do they die for the Queen?


A little while ago we used to have grand steeplechases with our dogs. We put up fences and water jumps, all of which—with the aid of sugar again—they were able to master in time. I think they used to get quite excited themselves at last. Our old gardener, who used to watch the races with great interest, told me once that he "'ad seen one of the little dawgs a'jumpin' backwards and forwards over that 'ere bit of wood (the highest and most perilous jump), and a'practisin' by hisself!" He was a very clever "little dawg," but I don't think he ever reached such a pitch of intelligence as to practice "by hisself."

We had to fill up the fences down to the ground, or, to save themselves the trouble of getting over, they would run under or scramble through in some extraordinary fashion, which in the end took much the most time and pains. Humanity again! Lazy people always take the most trouble!

When I was a little girl I had every morning to learn and repeat to my governess three verses from a French Bible. I thought I had hit upon an easy way of getting over this, and of reducing [103] the quantity I had to commit to memory; so I chose the cxxxvi. Psalm, in which you will find, if you care to look it up (I have just had to do the same to find out the number, not being by any means a living concordance to the Psalms!)—you will find that half of each verse is composed of the words, "For His mercy endureth for ever." Ingenuity wasted! Trouble increased! Not one whit the better off was I. Until that Psalm was finished I had to learn six verses instead of three. I retired anything but satisfied, and heartily wishing I had left that Psalm alone. It was very mean of my governess all the same. She should better have appreciated the craftiness of her pupil. But, poor things, they have to be very sharp and always on the look-out, or the children will take them in; they will not let any opportunity escape them, and, indeed, I pity anyone who has the care of these unraveled Sphinxes, these uncut Gordian knots.




I am not thinking about the Albert Hall Concerts, where the highest in the musical world go time after time, always singing the same songs.

Neither am I thinking of "Monday Pops," and purely classical concerts, to which at least half the audience listens with closed eyes and thoughts somewhere in dreamland. They like to be thought musical; they know they ought to appreciate such renderings of such compositions; and after all, when they describe "the treat they had! such a perfect touch, my dear! and the execution!!—" no one knows they have never heard a note, so what does their inattention matter. They have been seen there, and that is all they care about.

No, my thoughts take a much lower range. [105] They are intent on only amateur productions, from penny readings upwards, to those superintended by the élite of the neighborhood, when the seats rise in price to five shillings each.

They are such nice cheery entertainments, so much life, such a great deal of energy about them! You are called on by four separate people to take tickets. In desperation you have to yield at last; paying extra for having your seat reserved, or else you must start half-an-hour beforehand, and scramble in with the crowd. There is generally a series of them too, and you are obliged to go to them all. They are so considerate, these concert-makers, they would not allow you to miss one for worlds.

There is a great deal of novelty and variety about the artists themselves. All the musical members in the neighborhood are routed out, and each is persuaded to contribute to the public pleasure—by the way, there is never very much persuasion needed. It is such a treat to listen to people you know, and whom you have heard perform dozens and dozens of times before in every drawing-room in the place. At least, you know what to expect. You recognize each song, [106] each piece. You wait in suspense until Miss. Brown has passed her high A—always half a tone too flat. You take it as a matter of course that Mr. Black—the first violinist in the place—after tuning up for ten minutes, will break a string directly he begins to play. I should have thought he would be pretty well used to it by now, but he never gets in tune again for the rest of the evening. You would be quite disappointed if Mrs. Green ever concluded her most finished and spirited pianoforte solo on the right chord.

These concerts always begin with a pianoforte solo, and the performers ought to feel very flattered at the way in which they are received. We, the audience, regard them no more than we do the mounted policemen in the Lord Mayor's Show. They are not part of the procession. They are only meant to clear the way and let us know that the concert is going to begin, and then we must leave off our chatter. Naturally, we make the most of our time, and try to get all our talking done at once. In fact, we are so taken up with what we are saying that we actually forget to applaud when the performance is over.


After the introduction in this form, the chief moving spirit of the entertainment comes forward, and, after bowing right and left, stammers out (the chief moving spirit is never a good speaker) that he much regrets that, on account of Mr. Jones, Mr. Smith, and Miss. Blank having been prevented by illness from turning up, he is afraid there will be a little change in the programme. Now as Mr. Jones, Mr. Smith, and Miss. Blank are down for seven things between them there is likely to be a very great change in the programme. Why is it that people never know they cannot come until the last moment, I wonder? Perhaps they think that the more often they disappoint the more they emulate the "stars" in the musical world. Only the force of example, you see. And, after all, what does it matter? The other performers are most kind and sympathetic, and ready to help all they can. They are delighted to sing four times each instead of twice. Selfish people! they have no consideration for the audience, they only think of their own enjoyment!

There is the youth who looks as if he were going to favor us with a sweet treble. Lo, and [108] behold! he opens his mouth, and out comes a loud double bass voice that seems to spring somewhere from the region of his boots. It is not a pretty sound by any means.

There is the smiling, simpering girl who comes forward gorgeously arrayed in light blue satin. She chooses a song, all trills and little scales, running up and down, shaking at last upon a high note for nearly two minutes, and then coming down with a rush. This brings down the house. We applaud lustily; we begin the encoring business here, which, having once started, we do not intend to give up again. We like to get as much as we can for our money, we Britons. She keeps us waiting some time, too—taking a little refreshment in between, perhaps—and then comes back beaming with smiles and, under the impression that she is a second Patti, shrieks out in plaintive tones, "Home, sweet home!" A cat might as well try to emulate a thrush! And we never find it "sweet" either. Never do you dislike "Home" more than when you hear it sung thus.

There is the sentimental man, who gets into [109] position while the introduction to his song is being played. He sticks his finger down his collar (the object of which I can never understand), pulls both cuffs out, stretches out his music a yard or two in front of him and gazes above the audience with a hungry yearning look. His is always a love song, an unhappy love song, that should bring tears to our eyes, only we are so taken up with his expression, and the fear that he is going to die or have a fit, that we have no time for weeping. True to our instincts, he is greeted with deafening applause, and coming back, he generously treats us to the last verse over again.

Everyone is not so fortunate in receiving an encore, though. It depends on how well they are known, not on their desserts. The newcomer in the neighborhood tries her hardest and does her best, but as we have never seen her before we scarcely take the trouble to applaud her, which must be rather disappointing, especially when her mother is sitting among the audience with the encore song on her lap, ready to hand it up.

The best exhibition of all is made by the [110] flutist. He is the only one who plays that instrument for miles round, and so the swagger with which he steps on to the platform is perhaps excusable.

How anyone can play it I do not know. It is such a singularly unbecoming instrument. But the wretched owner never seems to think so. When he once commences he gives us a good dose of it. We begin to think he is going on all night. Suddenly there comes a pause, and applause is started at once, we being only too delighted to make a little noise on our own account. But no—it is a mistake, a delusion, after all. The pause was only an interval between an Andante and a Scherzo; and, with a bland smile at his ovation, on he goes again for another quarter of an hour. We—the audience—are disappointed, we feel we have been tricked, and we therefore sulk for a season. But the Scherzo is so long, it gives us time to get over our ill-humor, though we are mutually resolved that we will not have him back again. Vain hope! From the far end of the room comes thundering applause, which [111] never dies away until the talented flutist appears on the platform again. We find out afterwards that he treats the whole of his establishment to the cheap seats; so, of course, poor things, we cannot blame them. They are only earning their wages. Perhaps they are presented with an extra shilling each when their master returns home.

It is a curious thing how we all like applauding and making a noise. If you notice, at organ recitals in the Church we feel quite uncomfortable. We think we ought to do something at the conclusion of the pieces; so, as we may not clap our hands, we all give a little rustle and cough. This is to show our approbation. Everyone coughs. It is astonishing how many people have bad colds. For my part I think it is a pity applause is not allowed. It is infinitely preferable to the coughing at any rate.

Of course the comic singer goes down best. He is called back three, sometimes four times. The schoolboys behind grow excited, and greet him with a whistle that would do credit to the "gods." This is too much for decently-clad minds, anything so profane as that whistle. The clergyman, who is in the chair (the proceeds [112] are always to be devoted to some charitable object), rises and insists "that if that most objectionable noise does not cease, the boys will have to be turned out."

Where the "objectionable" comes in I cannot think. The boys are very clever to be able to do it. I have often tried it, and cannot succeed, and so conclude it must be a difficult accomplishment. They stick about four fingers in their mouths, and thereby make quite a different sound to any ordinary whistle. However, it is no wonder the chairman discourages it. When he was reading a few minutes before, reading out some dry little tale with a moral, in which the humorous parts were the heaviest, no encore whistle was accorded him. He was clapped loudly, of course—is he not one of the chief men in the parish? But no one wished to hear him read again, so we stopped our applause just in time to prevent him from re-appearing.

We go home glad at heart, and two mornings later read an account of the evening's performance in the local paper.

We find there a few statements which agree [113] with our own feelings. They say that "Mr. Jones sang in a pure and cultured manner, and deserves special attention for his sweet tenor voice and the refinement of the sentiment in his songs" (whatever that may mean!) "Mr. Smith played two violin solos with remarkable precision of touch and with the greatest ease;" while "Miss. Blank, with a good contralto, was all that could be desired in both her songs!" They were none of them there, but that does not matter. They were praised up more than anyone else, which must be very discouraging to those who did perform. But on account of their non-appearance alone we feel they deserve some approbation, and so do not grudge it them. It is of no consequence to a newspaper reporter who is there and who is not. He takes the programme, ticks off the names, and writes his remarks and criticisms just as he likes. It would be wiser, all the same, on his part, if he found out the absentees, for otherwise his little hints rather lose their effect.

He writes that this one wants a little "animation," that one "sings out of tune." Miss So-and-So plays the piano "with faultless manipulation, [114] the only drawback being a slight preponderance of pedal," and so on. He generally has as good an ear for music as a parish priest who only knew two tunes: one of which was "God save the Queen," and the other wasn't. And once, when a brass band was playing a selection outside the vicarage, he went on to his balcony, hat in hand, and waved it vigorously as he commenced to sing the first line of "God save the Queen."

Well, it does not matter after all. The only object is to appear learned, and to use long words. If the artists do not like being ignorantly criticized they must forbear to appear in public, a result which would incline us to go and shake hands with the reporters all round in the exuberance of our gratitude.




I was looking through a "Querist Album" the other day; one of those dreadful confession books in which you are required to answer the most absurd questions. Dreadful indeed they are to write in, but not altogether uninteresting to peruse, though the interest comes not so much in the answers themselves as in the manner in which they are written.

Some go in for it seriously, and describe their inmost feelings on the pages; some take a witty strain, and put down the most ridiculous things they can think of; while others write just what comes first.

Some are such hypocrites, too. Here is a man who describes his wife as his ideal woman; and when we know that he scarcely ever [116] addresses a civil word to the poor little woman, his admission is, to say the least of it, amusing.

"Have you ever been in love? and if so, how often?" This is one of the questions. The answers to it are of doubtful veracity. All the single ladies reply "Never!" underlining the word three times. "Yes, only once," is the statement of the married ones. According to the Querist Album, "The course of true love always runs smooth." No one seems to be attacked by Cupid but they must immediately marry the object of their choice, and "all goes merrily as a marriage bell." The men, on the contrary, like to appear somewhat inflammable. It is generally the masculine writers who adopt the sprightly key. Twenty—forty—thousands of times they admit falling in love. Such one-sided affairs they must have been, too; for the girls, according to their own confessions, never reciprocated any attachment until their rightful lords and masters appeared on the scene. I am afraid we must be a very hard-hearted race!

But it is the question relating to your idea of "the greatest earthly happiness" that struck me most. "Never being called in the morning," [117] was one lazy person's reply. "To write M.P. after my name," was the ambition of another. "Married life," wrote the bride on the completion of her honeymoon. Ah, little bride, you have been married some years now. Are your ideas still the same, I wonder? "A good partner, a good floor, and good music," said a fourth, and it is this one that has my entire sympathy. I agree with her. It is my idea also of "the greatest earthly happiness." I do not require much, you see. These are not very difficult things to procure now-a-days; and yet I am often taunted with my love of dancing. If I express disapproval of a man, "I suppose he can't dance," they say with a sneer.

Now though that accomplishment is a necessity in a ball-room, I do not consider it indispensable in a husband. Unfortunately you cannot dance through life. I wish you could for many reasons. A continual change of partners, for instance, would it not be refreshing? You would scarcely have time to grow tired of them. And how much more polite our husbands would be if they thought we were only fleeting joys! What am I saying? I am shocking everyone I [118] am afraid; the little matron who advocates married life, the newly-made brides whose ideal men are realized in their husbands—I am shocking them all! I humbly plead forgiveness. You see, I am not married myself. I can only give my impressions as a looker-on, and, as Thackeray says, "One is bound to speak the truth as far as one knows it, and a deal of disagreeable matter must come out in the course of such an undertaking."

But dancing is indispensable in a ball-room. If a man cannot dance he should stay away, and not make an object of himself. Unfortunately, so many think they excel in the art when they have not the least idea of it. Again, with girls, dancing (in a ball-room only, of course) comes before charm of manner, before wit, even before beauty. I know girls, absolutely plain, with not a word to say for themselves, who dance every dance, while the walls of the room are lined with pretty faces, and dismal-looking enough they are too, which is very foolish of them. They should have too much pride to show their discomfiture.

Men have so much the best of it at dances—so [119] everybody says. I am afraid I do not agree. I would not change our positions for anything. After all, a girl can nearly always dance with anyone she likes, and pick and choose as well as the men—provided, of course, that she is an adept on the "light fantastic toe" herself.

And think, on the other hand, what men go through! Reverse the order of things, as you are supposed to do at leap year dances—which system, however, is never properly carried out. But suppose you go up to a man and ask him for a dance, and he tells you with a smile that "he is very sorry, but really he has not one left." Suppose that the next minute you see him give three to another girl, would you speak to that man ever again? Never! And yet this is what they constantly endure and, what is more, forgive.

After all, if you analyze it, what an absurd thing dancing is. Close your ears to the music and look around you when a ball is at its height. What motive, you foolishly wonder, could induce all these people—who are supposed to possess an average amount of brains—to assemble together to clasp each other round the waist, [120] twirl round and round up and down the room, suddenly stop, and hurry one after another outside the dancing hall, seeking dark corners, secret retreats, anywhere away from the eyes of other men? "Ah, what a mad world it is, my masters!"

How our grandmothers exclaim at the present mode of dancing!—they who used to consider round dances almost improper. How the programmes must astonish them, too; those engagement cards that did not exist fifty years ago, and in their infancy were quite content to bear only two or three names on their paper countenances. But now times have changed, and as they grow older they become most greedy little cards. They are not only not content with being scribbled all over, but require two names on the top of one another, and thus causing dissensions to ensue.

There is a great deal of art in making up a programme. It is a mistake to be full up before you arrive. Someone may come whom you did not expect, and then you have no dance to give him. Arrangement of a programme requires two or three seasons' practice. There are the [121] duty dances to be got through first; put them up early, so that they shall be soon over, and then you have the good ones at the end to look forward to.

Everyone has duty dances. There are your father's constituents, clients, patients, someone you are obliged to ingratiate, and these are generally the worst dancers in the room! One is so fat he shakes the hall as he walks, and yet is just as eager to join the giddy throng, and alas! to take you with him! Another resembles the little tin soldiers which schoolboys have such an affection for, in that he has been gifted with large flat stands, twice the length of himself, instead of feet. And oh, how he kicks! Then there is the complimentary man, a creature who never opens his mouth without making or implying a compliment. Does he ever find anyone whom this system pleases, I wonder! The only antidote I can find is to take no notice, and pretend not to understand that the pretty speeches are directed at you. This discourages him after a time.

It is amusing to get hold of a man's programme, and find out how you are represented [122] there. They do not put down names, but describe costumes, hoping thus to find their partners easier, but in reality plunging themselves into most hopeless perplexities. They scribble down "pearl necklace," and find later that there are at least sixteen in the room, and so are worse off than if they had written the name.

Some describe the personal appearance, but this is a very risky thing to do. A man the other day wrote down his partner as "Miss blue dress, with the nose," and subsequently dropped his programme, which, of course, was picked up by the lady mentioned. Now I do not know why you should dislike being told that you have a nose—you would feel very much worse without one—but when your nasal organ takes up double its share of room in your face, and is, moreover, prettily tinted with scarlet, which you try to conceal under a little pearl powder, and only succeed in making it purple—well, perhaps you would not like to be told you have a nose. At any rate, this lady did not, and hers very much resembled this description, I believe. But she was a wise woman. Not a word did she say on the subject, and he went home happily [123] unconscious of her fatal discovery, until a few days later he received his programme back as a Christmas card, with "Miss blue dress with the nose's compliments." How very comfortable he must have felt when he met her next!

What a great many different styles of dancing there are! You have to change your step with nearly every partner. The girl should always suit hers to the man's, he has quite enough to do with the steering. You require about five good partners altogether, and can then spend an enjoyable evening. A different man for every dance is tiring. You never get beyond the theatres and the weather; you have not time to say much more, and grow quite weary of the same style of conversation. I always think I must be a most uninteresting partner when I am asked what theatres I have been to lately, or what is my opinion of the Academy, &c., &c. I never begin this kind of talk myself except as a last resource, when I can get nothing else out of a man. Someone says, I forget who, that "a woman can always know in what opinion she is held by the conversation addressed to her," and is it not true? [124] The foolish compliments paid to the pretty, but silly little débutante; the small talk to the fools; the sparring with the witty; the risqué tales enjoyed by those of a more rapid style. Men find out first what are our tastes, and then dish up their conversation accordingly, and they do not often make mistakes.

Some girls dance with one man the whole evening. How weary they must get of each other! Engaged people invariably pass the evening together, and sometimes do not dance at all, but sit out in some secluded corner. They have to endure one another for years to come, I wonder they do not get as much variety as possible now. At any rate, they might just as well stop at home.

Like everything else, dancing is hurrying along, and growing faster every year. The deux-temps, they say is coming back. May the day be far ahead when that step reigns once more! Perhaps before then I shall be converted into a chaperone, and shall sit watching others dance, not being able to do so myself; or, perhaps worse, not being asked myself. I am afraid I should not make a nice chaperone. I should look very cross, and should hurry away as early as possible. Ah, sad indeed will the day be when I give up dancing, when only the remembrance of my past enjoyments will be brought back to me through the scent of gardenias and tube-roses, dear dissipated-smelling flowers!



On Watering Places.

What a great deal of trouble and time it takes to choose a watering-place! And yet there are many and various kinds of resorts, some for one season, some for another.

If you could be carried sufficiently high above the earth so as to have a bird's-eye view of the whole of Great Britain, what a strange sight it would present during the months of August and September! The county would appear surrounded with a human fringe, the outer edge more resembling a disturbed ants' hill than anything else. I don't suppose we should appear more significant than ants at that distance.

There are those places teeming with shop-keepers and children, when you can scarcely see the beach so covered is it with those who are making the most of their one holiday in the year.

There is the primitive little village, discovered by few, which is welcomed by the city man who wants rest and entire seclusion from business matters and the world for a month or two. And oh, what language he uses! and how annoyed he is to find absolutely nothing to do—one post a [126] day, and, worst of all, no newspaper until late in the afternoon! And this is the man who wishes to be shut out from the world and from his acquaintances! There is no pier, there are no amusements. The esplanade is composed of nothing more than a plank of wood, on which, in walking you have to observe much caution in order to keep your balance; and sometimes the butcher from the neighboring village forgets to call! In desperation, the unfortunate creature digs sand-castles with his children, and, after a few days of his banishment, grows quite excited as the waves wash up and undermine their foundations. He picks acquaintance with anybody he comes across, be he peer or peasant—anything to make the time pass a little quicker until he can return to the stir of his business life again.

Someone remarks somewhere that "a man works one-half of his life in order that he may rest the other." I wonder if those who are successful ever appreciate their rest when they get it! I wonder if it comes up to their expectations! if the goal toward which they have been looking almost since they began to exist is worth the trouble and energy spent on it! Ah, I am afraid they very rarely find it so! They have become so immured in their busy lives, that it is difficult to grow accustomed to any other. Unless one is brought up to it, the Dolce far niente is not an existence we enjoy. We are made the wrong way about somehow. We ought to be born old and gradually grow younger as the years roll on. Still, I daresay there would [127] be something to complain of even then, and perhaps it would not be very dignified to go off the stage as a baby!

To go to the opposite extreme, there are the fashionable water-places; little Londons, or rather little imitations of London; for beside that great capital itself they are like pieces of glass to a diamond. And yet fashion and folly are all here, sunning themselves by the sea instead of in the park; driving up and down in the same way, in equally charming toilets. But still there seems to be something lacking, something wanting. They are too small, these towns; you so soon know everyone by sight, and grow tired both of them and their costumes. There is a good deal of stir and life about all the same. There are bands, niggers, clairvoyantes, fire-eaters; plenty indeed for you to see and hear when you are weary of strutting up and down and nodding to your friends. And yet, in spite of all, you grow tired of "London by the sea," after a few weeks, even in that dead season of the year—November.

Have you ever visited one of these places in the midst of a tennis week, when the grand tournaments take place? Lawn tennis is a delightful recreation for a time, provided you have a good partner and good antagonists, and you are playing under a moderately warm sun; but when you hear, see, and play nothing else for a week, when the conversation is "tennis," when no one appears without a racquet in his hand, when all you have to listen to are criticisms on the courts and balls, [128] grumblings against the handicapping, imprecations on "bisques"—well, you begin to hate the very name, and wish you could injure the man who invented it. You grow tired of watching the same thing day after day, the men who spend their lives in tossing balls across to each other, the sea of faces; turning backwards and forwards at each stroke with the regulation of a pendulum.

Yes, it takes a long time to decide on a watering place, and when at last you do make up your mind you have to change it again very soon because you find all your "sisters, cousins, and aunts" have chosen the same resort; and really you have quite enough of your relations in town without their following you wherever you go. You require a little variety when you go away. An old lady I used to know always kept it a profound secret where she intended spending her summer holiday, "otherwise, my dear," she said, "I should have the whole family at my heels!" A most disagreeable old lady she was; and I know for a fact that her relatives always avoided her when possible (she was not blessed with very great possessions!) so that her caution was quite unnecessary. Oh, vanity of vanities, how little we know of the world's true opinion of us!

When you have fixed on your locality, there is even a greater difficulty to go through. You have to choose your residence; and this takes up even more thought and time.

There are the lodging-houses, monotonous in their similarity. The same gilt-edged mirrors [129] protected from the dust by green perforated paper; the same jar of wax flowers, standing on a mat which is composed of floral designs in Berlin wool—designs to which you can give any name you like—"You pays your money and you takes your choice." They represent anything, the whole concern hiding its modest head under a glass case; the same shavings in the grate, with long trails of roses gently slumbering on the top; yes, and the same voluble landlady, the whole of whose private concerns you are in possession of five minutes after you have taken the apartments.

There is the boarding-house, advertised as "Directly facing the sea;" and when you have engaged your rooms, and arrive with all your luggage, you find the establishment is at the far end of a side street; and "Directly facing the sea" is interpreted by the fact that by hanging half-way out of the sitting-room widow, and screwing your head round violently to the left, you can see the place where that watery monarch ought to be.

"A boarding-house is so much nicer than an hotel, because you get to know the people so much easier," I heard a girl remark once. This is my chief objection to a boarding-house. Because you are staying under the same roof, all the inhabitants consider they have a right to address you, and, what is more, they will not be repulsed, which, as most of them by no means move in the best society, is not at all palatable. The women you can tolerate, but the men are not to be [130] endured. You are always coming across them, too. On whatever drive, excursion, or trip you take you invariably meet "boarding-houseites," who are only too ready to recognize you. You can never get away from them; there is only the public drawing-room, and there they come in and out, talking to you, interrupting you, or else causing your ears to ache by their attempts at music.(?)

The meals are somewhat amusing, as you can watch all your fellow-boarders without being disturbed. They cannot talk and eat at the same time, and so philosophically devote all their energies to their dinner.

There is the girl who scrapes up acquaintances with everybody. She has had the good luck to be placed near a man, and the demure way in which she prattles and smiles at him convinces you that she is trying to make the best use of her time. Sometimes he is absent, and then the smiles give way to the gloomiest expression. Finally, on the arrival of new-comers, when there is a sort of general post all round, she is placed at the farthest extreme to her late partner, and oh! the wistful little glances she passes up the table to the gourmand who, oblivious to all but his dinner, scarcely notices her departure.

There are the three old maids, intent on capturing a husband. They have come here as a last resource. But with the usual fickleness of fortune, they seem to be more shunned by the male sex than attracted to it.

There is the newly-married couple, looking very [131] conscious and silly, as if they were the only people in the world who had ever committed matrimony.

There is one old lady grumbling, and objecting to the back of a chicken. Poor birds, they have only two wings each, and really cannot provide everybody with them! There is another furious, because on asking for a favorite dish, that is down in the menu, is told that "it is all served!" The best things always are, unless you manage to get into the good graces of the waiter or waitress.

Young men and maidens, old men and children, all here, offering plenty of material for students of human nature!

Hotel life is very different. Even if you find the parvenu and nouveau riche as equally objectionable as the boarding-house species, at least they do not force their acquaintance upon you. The table d'hote is much more entertaining, and you are altogether more independent. Characters you come across occasionally that are most interesting to study. There are the girls who are taking the round of hotels by their mothers, in the hopes of getting them "off." There are the men who astonish everybody by their generosity and apparent display of riches, and finally decamp without paying their bill.

A man was telling me the other day of a certain "black sheep" who had run into difficulty; how his family after a great deal of trouble managed to raise £200 between them, and sent him off to America with the money to start afresh in a new [132] country. In a month's time he was back again, penniless as ever, and cursing his luck and bad fortune. It was only by accident they discovered the bills of the best hotels in New York in his pocket, and found that he had been living like a prince while his £200 lasted, nor had tried at all to obtain any occupation.

With such consummate cheek, a man ought to get on in the world, I think, for after all it is self-confidence and "bluffing" that seems to succeed most. However down in the world you are, however bad your "hand," you only have to "bluff" a little to make it all right. There are many foolish people in the world ready to be your dupes, and luckily they never think of asking to "see" you. Even the best of us try it on a little; we strive to hide our skeletons under the cloak of cheerfulness, and entirely disguise our real feelings—

"Alas, our frailty is the cause, not we;
For, such as we are made of, such we be."


Transcriber's Note: Pagination for blank pages is omitted in the margin numbering.

End of Project Gutenberg's Lazy Thoughts of a Lazy Girl, by Jenny Wren


***** This file should be named 16507-h.htm or *****
This and all associated files of various formats will be found in:

Produced by Bill Tozier, Barbara Tozier, Sankar Viswanathan,
and the Online Distributed Proofreading Team at

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial



To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (,
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.


1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal

defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at

Section 3.  Information about the Project Gutenberg Literary Archive

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit:

Section 5.  General Information About Project Gutenberg-tm electronic

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

If you would like to help support Hymns and Carols of Christmas, please click on the button below and make a donation.