A Treasury of Christmas Carols
         
 

Google
 

Affiliates


Christian Dating Service
 


Amazon.com



 


Other

SafeSurf Rated

Internet Content Rating Association


Awards

SoMusical.com Top Music Site Award 2004

Christmas Website With Heart Award

Site Of The Week
ChristmasFinest.com
Site of the Week Award


The Hymns and Carols of Christmas does not necessarily endorse any advertisers. Please use appropriate caution.

 

 

 

Santa Gets A New Look

The Legacy of Thomas Nast

Moore’s description of Saint Nicholas would mark a major change in his "appearance." While Saint Nicholas had previously been drawn as a Christian Bishop, Moore described him as "a right jolly old elf."

But he would soon come to be seen more as a rosy-cheeked, roly-poly Santa. Much of the credit went to the influential nineteenth-century cartoonist Thomas Nast. The first appearance was on January 3, 1863, when Nast did a political cartoon of Santa entitled 'Santa in Camp', for the cover of Harper’s Weekly. Dressed in Stars and Stripes, Santa was distributing presents to Union soldiers. That illustration is shown below right. Also in that issue was a drawing titled "Christmas Eve" – a double-paned drawing of a prayerful wife on the left, a soldier by a campfire looking at pictures of his family. The next year, this couple would be featured again in a drawing titled "Christmas Furlough."

From 1863 until 1886, Nast created a series of Christmas drawings for Harper's Weekly. These drawings, executed over twenty years, exhibit a gradual evolution in Santa from the pudgy, diminutive, elf-like creature of Dr. Moore's immortal poem to the bearded, portly gift-giver of today. But he did more than just give us a picture of Santa Claus; his also expanded on the Legend of Santa Claus.

Nast established Santa's workshop and official residence at the North Pole in four different drawings between 1879 and 1886. On January 4, 1879, Harper’s Weekly published "A Christmas Post," showing a girl putting a letter in the mailbox, addressed to St. Claus, North Pole. The sketch titled "The Shine of Saint Nicholas" published on December 31, 1882, showed good children at the North Pole; Santa was seated on a box with the inscription "Saint Nicholas, North Pole." Harper’s Weekly on December 19, 1885 published "Santa Claus’s Route," a sketch showing two children looking at a map of the world and tracing Santa's journey from the North Pole to the United States.

Finally, in "Santa Claus and His Works," printed in Harper’s Weekly in 1886, Nast showed Santa and his workshop at Santa Claussville, North Pole. In 1869, American writer George P. Webster published Santa Claus and His Works and took up this idea, explaining that Santa's toy factory and "his house, during the long summer months, was hidden in the ice and snow of the North Pole". Although his name did not appear on the cover, the seven color illustrations were provided by Nast, who gave us a look at the red and white suit of Santa. Many of the illustrations in the book were colorized expansions of the woodcuts from Harper’s Weekly.

In his annual drawings, Nast added other details such as Santa's list of the good and bad children of the world. His cartoons also showed the world how Santa spent his entire year constructing toys, checking on children's behavior (by use of a telescope from a parapet of his home in Santa Claussville, North Pole), and reading the letters from both the children and their parents. His images became incorporated into the Santa lore.

Most of his Christmas drawings were of domestic scenes, and most often of children. It was the Nast children who were most frequently the models. By the beginning of 1872, the Nast children were Julia (1862), Tom, Edith, and Mabel (born in December 1871). It was Julia who was the model for "Christmas Flirtation." A son, Cyril, was born August 28, 1879, was the model for "Another Stocking To Fill" published in Harper’s Weekly in January, 1880. According to Paine, Mrs. Nast was frequently the model for "Columbia."

Nast also provided illustrations to Christmas Poems issued by J. M. Gregory (1863-64), including one for Moore’s poem, "A Visit From St. Nicholas." It was the first of his illustrations to appear in book form. His Christmas drawings were also published in the London papers in 1880. His last Christmas illustration was published in Leslie’s Illustrated in 1901 – where he got his first job as an illustrator in 1855.

Go To Previous Page Go to Top of Page Go to Home Page Go To Next Page

 

Spacer Bar

 

 

Spacer Bar

Collections of Christmas Carols & Poetry
Compiled and Edited by
Douglas D. Anderson

Victorian Visions
A Christmas Poetry Collection

Divinely Inspired
A Christmas Poetry Collection

The Bridegroom Cometh
Poetry For The Advent

Other books by Doug Anderson

Once A Lovely Shining Star

A Christmas Poetry Collection

So Gracious Is The Time

A Christmas Poetry Collection

How Still The Night

The Christmas Poems of Father Andrew, S.D.C.

 Father and Daughter

Christmas Poems by Frances and William Havergal

Now, Now The Mirth Comes

Christmas Poetry by Robert Herrick

What Sudden Blaze Of Song

The Christmas Poems of Rev. John Keble

 A Holy Heavenly Chime

The Christmastide Poems of Christina Georgina Rossetti

All My Heart This Night Rejoices

The Christmas Poems of Catherine Winkworth

A Victorian Carol Book

Favorites from the 19th Century —
Still favorites today!

Other Books by Doug Anderson

A Psalter – A Book of the Psalms Arranged by Luther's Categories

Betbüchlein: A Personal Prayer Book, a recreation of Luther's 1529 prayer book

Daily Prayer

Luther's Passional

Luther's Writings on Prayer: A Selection

Devotions for the Advent – 2009

The Lenten Sermons of Martin Luther, Second Edition

Descriptions of all these volumes can be seen at
Books by Doug Anderson


The Hymns and Carols of Christmas
Douglas D. Anderson

© Copyright 1996, All Rights Reserved.

The Hymns and Carols of Christmas is not responsible for the content of external sites.

 

Ad Majorem Dei Gloriam

 

Print Page Return Home Page Close Window