William Chatterton Dix
(1837-1865)
William Chatterton Dix
was born in Bristol, England on June 14, 1837, the son of John Dix, an author,
poet, and surgeon,
and Susan (or Susannah) Moore.
John Dix wrote a biography, The Life of Thomas Chatterton (1837), and gave
his son who was born the same year the middle name of Chatterton in the poet's honor. William attended the Bristol Grammar
School for a commercial career, and then attended a private school, during which
time he worked for his maternal grandfather, William Moore, who operated a soap
and candle-making business at 125 Redcliff Street, Bristol. William attended a
High Anglican church, St. Raphael, whose pastor was the Rev. Arthur H. Ward;
William would later contribute a hymn,
As With Gladness Men Of Old
(Version 2), to Ward's hymnal, Hymns for the Services of
the Church and for Private Devotion (circa 1860).
Photograph (right) of William Chatterton Dix
by "Lindon Hatt, Clifton," from
Francis Jones, Famous Hymns And Their Authors. 2nd (1903), opposite p.
316.
Clifton is a neighborhood in Bristol, England where Mr. Dix was born and raised.
His early life was marred because of the actions of his father, John, who was, unfortunately, addicted to alcohol, and evidently unable to control his behavior. His practice as a doctor in Monmouth, Wales, failed, and he was imprisoned for non-payment of debts. He then abandoned his family and moved to America by at least 1845 by having "obtained a passage as surgeon in an emigrant ship" - this was when William was 8 years old. John supported himself by publishing an assortment of books, primarily of the pen-and-ink variety. He returned to England briefly in 1847, but by 1850 he had returned to America. His last book, A Hand Book for Lake Memphremagog, was published 1860 (reprinted 1864), and thereafter there is no record of him. By the time of the census of 1861, his wife was listing her marital status as "widow."
In addition, John's biography of Thomas Chatterton was exposed as a fraud in 1857, just after the 20th birthday of William, and subjecting the family to further public ridicule. Sadly, the Editors of Notes and Queries saw fit to re-open the issue in 1872, when William was 37, with an article that began:
It is necessary to sometimes nail up fresh vermin on the barn-door of infamy, already sufficiently crowded. One of the most shameless literary forgers of the present century was John Dix, alias John Ross a man who wrote a short 8vo Life of Chatterton, which was published in Bristol in 1837.
The debacle of John Dix would continue to be explored in their pages for several months, certainly inflicting emotional damage upon the family. See: The Barn-Door Of Infamy.
While in his early 20s, William worked as a clerk for his maternal grandfather, William Moore, in the latter's soap and candle making business in Bristol. On June 30, 1864, at age 27, he married Juliet Wartnaby. According to some sources, the couple then moved to Glascow, Scotland where he became broker in a marine insurance company, and later it's manager, while he and his wife raised their seven children.
It is important to note that research conducted by Professor Sheila Rowbotham shows that William and Juliet were living in England in 1871 and at the same address in 1881. Prof. Rowbotham has given other important details about the life of William Chatterton Dix in her excellent work Rebel Crossings (London: Verso, 2016).
In 1866, at the age of 29, he was struck with a near-fatal illness and consequently was confined to his bed for several months. During this time he became severely depressed. Much of his poetry stems from this time and in the years immediately following this illness.
In this regard, Francis Arthur Jones wrote that "Not a great while before his death Mr. Chatterton Dix sent me a manuscript copy of his hymn: — 'Come Unto Me, Ye Weary' [1867] together with a few remarks as to the circumstances under which he composed it.
"I was ill and depressed at the time," he says, " and it was almost to idle away the hours that I wrote the hymn. I had been ill for many weeks, and felt weary and faint, and the hymn really expresses the languidness of body from which I was suffering at the time. Soon after its composition — and it took me some time to write out, for my hand trembled, and I could with difficulty hold the pen — I recovered, and I always look back to that hymn as the turning-point in my illness. It is a somewhat curious fact that most of my best known hymns were written when I was suffering from some bodily ailment."
Although it is believed that he was in the insurance business, his heart was in the poetry of worship. It has been said of him that "Few modern writers have shown so signal a gift as his for the difficult art of hymn-writing." He wrote more than 200 poems and hymns over the course of his life, over 40 of them related to the Christmas-tide. Perhaps the most widely known of these is What Child Is This?, which was written about 1865, as well as The Manger Throne. His fine Epiphany hymn, As, With Gladness, Men Of Old (1859) and his plaintive "Come unto Me, ye weary," are prime examples of his compositions, many of which rank among the finest and most beloved hymns.
Some of his compositions were first published in his four collections of verse:
Hymns of Love and Joy, 1859, with contained the first version of As, With Gladness, Men Of Old.
Altar Songs - Verses On The Holy Eucharist, Second Edition, Enlarged, 1868;
A Vision of All Saints, &c, 1871; and
Seekers of a City, 1878, no copy of which as been seen to date (January 15, 2018). WorldCat reports only two known copies, one at the British Library, and the other in the library at Florida State University, Tallahassee. I hope to travel there soon to examine this volume.
The greater part, however, were contributed to Hymns, Ancient & Modern, 1861 et seq.; St. Raphael's Hymn Book, ca. 1860; Lyra Eucharistica, 1863; Lyra Messianica, 1864; Lyra Mystica, 1865; The People's Hymnal, 1867; The Hymnary, 1872; Church Hymns, 1872, and others. He also published a number of hymns in assorted religious journals of the day.
Editor's Note. Although the common name was St. Raphael's Hymn Book, the correct title is Hymns for the Services of the Church and for Private Devotion. It was edited by A. H. Ward for the Church of St. Raphael in Bristol.
Some of the hymns we find in hymnals but not otherwise in his published collections include:
Hymns for the Services of the Church and for Private Devotion, a.k.a. St. Raphael's Hymn Book, ca. 1860;
As With Gladness Men Of Old - Version 2
Hymns, Ancient & Modern, 1861;
As with Gladness, Men of Old - Version 3
Lyra Eucharistica, 1863;
An Eucharistic Meditation, #44, p. 50; "Jesu, We Laud And Worship Thee."
The Two Thrones, #70, p. 86; "Lift Up Your Songs, Ye Angel-choirs."
The House of Bread, #182, p. 229; "Jesus, True God, True Man We Adore Thee."
The Early Christian's Eucharist, #257, p. 332; "Through The Long Hidden Yars Thou Hast Sought Me."
Lyra Messianica, 1864;
Bethlehem Hath Opened Eden - St. Romanus the Melodist, Τήν Έδέμ Βηδλεέμ ήνοιξε, δεύτε ίδωμεν.
Today In Bethlehem Hear I - St. John of Damascus, Δόξα έν ύψίστοις Θεώ
Habakkuk In Ancient Song - St. John of Damascus, Γενους Βροτέιου τήν άνάπλασιν πάλαι, from the Canon of Christmas Day, Ode 4.
Bend To Our Hymns, Redeemer - St. John of Damascus, Νευσον πρός ύμνους, οίχετων εύεξγέτα, from the Canon of Christmas Day, Ode 3.
The Wonder-Working Master - St. John of Damascus, Εσωσε λαόν, δαυματουργών, from the Canon of Christmas Day, Ode 1.
Today Let Heaven And Earth In Prophecy Rejoice - St. John of Damascus
Begins the Unbeginning, Good News To-Day Is Heard - St. John of Damascus
Lyra Mystica, 1865:
The Embracing of the Body of Christ By His Virgin-Mother, translation of the Greek of Symeon Metaphastes, #11, p. 36; "Thou Uncoverse Corse, Word of the Living One."
Pentecostal Odes from the Service-Books of the Holy Eastern Church, #60, p. 201; "We Keep the Feast of Pentecost."
The Prodigal's Return, #130, p. 417; "Almighty Father, Lord of All."
G. S. Jellico, ed., Songs of the Church (London: Novello & Co., 1867):
No Songs Shall Break Our Gloom (Good Friday), #89, pp. 85-86.
O Lord, The Wilderness To Me (Lent), #79, p. 76.
Put On Thy Beautiful Robes, Bride of Christ (Easter), #108, pp. 105-106.
The People's Hymnal, 1867 (16 hymns in the 6th Edition):
Accept Our Thanks, O Lord, #252. First Publication.
As Morn To Night Succeeds, # 459
As With Gladness Men of Old, #46
Christ, We Sing Thy Saving, #123 (Translation)
Come Unto Me, Ye Weary, #352
In The Hollow Of Thy Hand, #316. First Publication.
Jesu, Give Thy Servants, #505 (Translation)
Lift Up Your Songs, Ye Thankful, #245. First Publication.
Now In Numbers Soft And Flowing, #303.
O Christ, Thou Son of Mary, #289
O Cross Which Only Canst Allay, #529. First Publication.
O Joyful Light of God, #442 (Translation)
Only One Prayer To-day, #73.
Sitting At The Receipt of Custom, #282. First Publication.
The Church of God Lifts Up, #136. (Translation)
To Thee, O Lord, Our Hearts, #339. First Publication.
The Hymnary, 1872:
As With Gladness Men Of Old (Epiphany), #178, p. 150.
The Church Of God Lifts Up Her Voice (Easter), #286, p. 260.
The Cross is On Our Brow (Confirmation), #501, p. 460.
Church Hymns (SPCK, 1874, 1877 and later) (10 Hymns):
Joy Fills Our Inmost Heart To-day (Christmas), #83, pp. 68-69.
As With Gladness Men Of Old (Epiphany), #94, pp. 78-79.
O Thou, The Eternal Son Of God (Good Friday), #121, p. 101.
To Thee, O Lord, Our Hearts We Raise (Harvest), #281, pp. 248-249.
Holy, Holy, Holy, To Thee Our Vows We Pay (Anniversary of Dedication of Church Building), #314, pp. 281-282.
On The Waters Dark And Drear (For Use At Sea), #325, p. 293.
Alleluia! Sing To Jesus! (General Hymn of Praise), #332, p. 300.
Come Unto Me, Ye Weary (General Hymn of Comfort), #351, p. 316.
How Long, O Lord, How Long, We Ask (General Hymn, the Second Coming), #385, pp. 344-345.
In Our Work, And In Our Play (Children's Hymn), #573, p. 503.
In the 1874 editions, two hymns were erroneously identified as having been written by W. Chatterton Dix:
#38, "Alleluia! Fairest Morning" (Morning), pp. 33-34. This was a translation of "Hallelujah! Schoener Morgen!" by Rev. Jonathan Krause (1701-1762), 1739, Translation by Jane Laurie Borthwick (1813-1897), originally as "Hallelujah! Fairest Morning," Hymns from the Land of Luther, 3rd Edition. (1858). In the 1869 Edition, the hymn can be found on pp. 130-133.
#248, "Let No Tears To-day Be Shed" (Burial of a Child), #248, pp. 221-222. The author was Richard Frederick Littledale.
A number of his contributions are renderings in metrical form of Dr. Littledale's translations from the Greek in his Offices from the Service Books of the Holy Eastern Church, 1863; and of the Rev. J. M. Rodwell's translations of hymns of the Abyssinian Church. Dr. Julian felt that these renderings of the "songs of other Churches" have not received the attention they deserve, and the sources from whence they come are practically unknown to most hymnal compilers.
Editor's Note. Examples of translations by Dix of Greek & Eastern hymns can be found in Rev. Orby Shipley, ed., Lyra Messianica: Hymns and Verses on the Life of Christ (London: Longman, Green, Longman, Roberts, and Green, 1864), above. See generally: Christmas-tide Hymns from the Eastern Churches.
Dix gave us translations of three hymns in his article Abyssinian Hymns (The Churchman's Shilling Magazine, October 1867),
"Praise To The Saviour, Who Clothed With The Light" [Hymn of the Light]
"Raged The Winds, The Waves In Madness" [A Sabbath-day Song]
"The Watcher-angels Slumber Not," centos from "The Vigil of the Four Beasts" [The Holy Angels]
In addition he gave us two more in his article Devotions of the Abyssinian Church (The Monthly Packet, 1868):
"When The Earth Hath All Restored" [A Hymn On The Day Of Doom]
"Sower And Reaper Hope In Thee" [The Hymn of the Flowers and of the Sabbath Day]
Dr. Julian reports that there was a a second, earlier metrical translation of the Abyssinian hymn, "The Vigil of the Four Beasts" in the Churchman's Shilling Magazine for May, 1867, plus "an additional translation or two by Mr. Dix" in Church Times. No copy is available as of Feb. 10, 2018.
Some of Rodwell's translations were in an article titled "Translations from the Æthiopic," which was printed in B. Harris Cowper, ed., The Journal of Sacred Literature and Biblical Record. Vol. VIII (New Series), No. 16, January 1866 (London: Williams and Norgate, 1866), pp. 321-337. These and other Æthiopic hymns can be found in Rev. J. M. Rodwell, ed., Æthiopic Liturgies and Prayers. Translated from Mss. in the Library of the British Museum and of the British and Foreign Bible Society, and from the Edition Printed at Rome in 1548. No. I & II (London: Williams & Norgate, 1864).
In addition Dix published:
Light, a devotional work,
Four Joyful Hymns for Christmas Tide in circa 1865,
Christmas Carols & Christmas Customs in circa 1870,
The Risen Life, a devotional work, 1883,
The Pattern of Life, Or, Lessons for Children From The Life Of Our Lord, 1885, a book of instructions for children, which also contained Christmas carols and hymns plus other original hymns by Mr. Dix not given elsewhere,
Four Christmas Carols, four of his Christmas carols set to music composed by Joseph Barnby (London: Novello, 1890)
The Holy Childhood. Verses, Illustrated, from W. Chatterton Dix. (Oxford, 1890). No. 8 of Mowbray's Illustrated Oxford Broadsheets.
Hymns for Sunday School Festivals (Bristol: Richards & Stone, 1897)
Several of these works have not yet been digitalized.
In his Dictionary of Hymnology, Dr. Julian has annotated the most important of his hymns and carols under their respective first lines:
Accept Our Thanks, O Lord, We Pray. [St. Bede] Julian, p. 9.
Alleluia, Sing To Jesus. [Holy Communion] Julian, p. 49.
As Morn To Night Succeeds. [Victory Through Suffering] Julian, p. 84.
As Those Who Seek The Break Of Day. [Easter] Translation of a Greek hymn, which honors the holy women who brought spices to anoint the body of Jesus on the Sunday following the Crucifixion. Julian, p. 1182.
Christ, we sing Thy saving passion [Easter] Translation of a Greek hymn, from the Office for the Sunday of Easter, Littledale, Offices of the Holy Eastern Church, 1863, p. 95. Julian, p. 1190.
The Church of God Lifts Up Her Voice. [Easter] Translation of the anonymous Greek hymn. Julian, p. 1146.
Come Unto Me, Ye weary. [Invitation] This hymn, which ranks as one of the best of Mr. Dix's efforts, was published in the People's Hymnal (1867), p. 253.
If The Dark And Awful Tomb [Easter] Translation of a Greek hymn by St. John of Damascus. p. 322.
Jesu, Give Thy Servants [Whitsuntide] Translation of a Greek hymn by St. John Arclas. Julian, p. 1116.
Lift Up Your Songs, Ye Angel Choirs. [Ascension] From Altar Songs, 1867. Julian, p. 1559.
No Songs Shall Break Our Gloom Today. [Good Friday] Julian, p. 808.
Now, My Soul Rehearse The Story. [Christ Feeding the Multitude] From Altar Songs, 1867. Julian, p. 1559.
O Blessed Trinity, included in Hymns For Use During 1887 The Year of the Jubilee of Queen Victoria.
O Joyful Light of God Most High [Evensong.] Translation of an anonymous Greek hymn before the 4th century, which was sung at the Lighting of the Lamps, and known as "The Candlelight Hymn." Julian, p. 894.
O Ye, Who Search For Jesus, Raise. [The Transfiguration.] Translation of the cento Quicumque Christum quaeritis [Epiphany] by Prudentius, the 12 and last poem of his Cathemerinon, 5th Century. Though one of the finest poems of Prudentius. Julian, p. 946.
To Thee, O Lord, our hearts we raise. [Harvest.] One of six hymns at the end of St. Raphael's, Bristol, Hymns for the Service of the Church, 1864, #202. The note is for the next hymn, #203 The Church of God Lifts Up Her Voice. Julian, p. 1180. This hymn was included in Hymns For Use During 1887 The Year of the Jubilee of Queen Victoria.
Within The Temple's Hallowed Courts. [B. V. M.] From Altar Songs, 1867. Julian, p. 1559.
Dr. Julian also listed the following songs that are in Common Use: -
1. God Cometh, Let The Heart Prepare ("Judgment At The Door") Advent/Second Advent. In his A Vision of All Saints, &c, 1871.
2. Holy, holy, holy, to Thee our vows we pay. Holy Communion. Published in his Altar Songs, 1867, in 6 stanzas of 6 lines, and headed "Eucharistic Processional for Dedication Feast." In the S. P. C. K. Church Hymns, 1871, and others in an abridged form.
3. How Long, O Lord, How Long, We Ask. Second Advent. Appeared in the Appendix to the S. P. C. K. Psalms & Hymns, 1869, and repeated in several collections.
4. In our work and in our play. Children's Hymn. Published in his Hymns and Carols for Children, 1869, and is largely adopted in children's hymn-books, as Mrs. Brock's Children's Hymn Book, 1881, and others. Also in the S. P. C. K. Church Hymns, 1871.
5. In the hollow of Thine hand. For Fair Weather. Appeared in the People's Hymnal, 1867, and repeated in several others.
6. Joy Fills Our Inmost Hearts Today!. Christmas. Printed in the Church Times, and then on a Fly-Sheet by G. J. Palmer, as the third of Four Joyful Hymns for Christmas, circa 1865. It is in the S. P. C. K. Church Hymns, 1871, and other hymnals. It is also one of Mr. Dix's Christmas Customs & Christmas Carols, N.D., and Hymns and Carols for Children, 1869.
7. Lift up your songs, ye thankful. St. Ambrose. Contributed to the People's Hymnal, 1867.
8. Now in numbers softly flowing. St. Cecilia. Contributed to the People's Hymnal, 1867.
9. Now, our Father, we adore Thee. Praise to the Father. Appeared in the Appendix to the S. P. C. K. Psalms & Hymns, 1869.
10. O Christ, Thou Son of Mary. St. Crispin. First printed in the Union Review, Sept., 1866, and thence into the People's Hymnal, 1887.
11. O Cross which only canst allay. Glorying and Trusting in the Cross. Published in the People's Hymnal, 1867.
12. O Thou the Eternal Son of God. Good Friday. Appeared in Lyra Messianica, 1864; the author's Hymns and Carols for Children, 1869; the S. P. C. K. Church Hymns, 1871, &c.
13. On the waters dark and drear. For use at Sea. Published in Hymns for Public Worship, &c. (St. Raphael's, Bristol), 1861; the S. P. C. K. Church Hymns, 1871, &c.
14. Only one prayer to-day. Ash-Wednesday. Contributed to the People's Hymnal, 1867.
15. Sitting at receipt of custom. St. Matthew. Appeared in the People's Hymnal, 1867.
16. The Cross is on thy brow. Confirmation. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
17. The stars above our head. Work and Humility. In the 1869 Appendix to the S. P. C. K. Psalms & Hymns.
18. When the shades of night are falling. Evening Hymn to the Good Shepherd. In the author's Seekers of a City, &c. [1878].
Dr. Julian writes that most of Mr. Dix's best-known hymns, and also some of those named above, are in Common Use in America and other English-speaking countries. In Great Britain and America from 30 to 40 are in Common Use. His total number of poems and hymns is over 200.
Christmas hymns in Four Joyful Hymns for Christmas Tide (1865):
Communion Carols and Hymns from Altar Songs - Verses On The Holy Eucharist, Second Edition, 1868:
Silence, Strange Sounds Are In The Earth. ("The Warning and the Invitation") - For Advent
Lift Up Your Songs, Ye Angel-Choirs ("The Two Thrones") - For Second Advent
Gold for the King of Kings - Carol for the Midnight Mass of the Nativity
And Can It Be That God Is Born ("Knowing Him In The Breaking of Bread") - For Christmas
To Thine Altar’s Shadow Flying ("The Morning Sacrifice") - For The Circumcision, January 1
Who Will Lead Me To The Manger ("Christ Manifest at the Altar") - For The Epiphany
Within The Temple’s Hallowed Courts ("The Pure Offering") - For the Presentation of Jesus in the Temple, February 2, & The Festivals of the Blessed Virgin Mary
Carols from Hymns and Carols for Children, 1869:
Holy, Blessed Trinity - Advent
All Things Were In Silence - Christmas Eve
Sleep, My Babe, O Sleep! - Christmas Day
Joy Fills Our Inmost Hearts Today! - For Christmas
It Was The Quiet Evening - "The Legend of the Holy Child"
Sing The Holy Child-Christ - The Epiphany
Carols from Christmas Carols & Christmas Customs (circa 1870):
The Carol of the Yule Log: Glad Christmas Tide Is Come Once More
Deliverance: Come And Release Us, Son of God
The Silent Night: All Things Were In Silence
The Manger Throne: Like Silver Lamps In A Distant Shrine
The Christ-Child: Sing The Holy Child-Christ
What Child Is This: What Child Is This Who, Laid To Rest
Bethlehem: Today In Bethlehem Hear I
In The Ages Past And Distant: In The Ages Past and Distant
Open-Air Carol: O Babe! In Manger Lying
Night and Morning: Peaceful Were The Plains That Night
As With Gladness: As, With Gladness, Men Of Old
A Legend Of The Holy Child: It Was The Quiet Evening
Cradle Song: The Virgin Is Hushing Her Baby To Rest
Emmanuel: Joy Fills Our Inmost Hearts Today, The Royal Child Is Born!
Darkness Fell On The Weary Earth: Darkness Fell On The Weary Earth
Who Is This?: Who Is This That Lies All Lowly
Carols from A Vision of All Saints, &c, 1871:
God Cometh, Let The Heart Prepare ("Judgment At The Door") - Second Advent
Dark Fall The Hours This Winter-Tide ("The Bridegroom Coming at Midnight") - Second Advent
There Was Silence In Bethlehem's Fields That Night - A Song of the First Christmas Night
Christians, Carol Sweetly - A Carol for Christmas Day
Rachel, Weeping For Her Children - The Holy Innocents
Infant Jesus, We Adore Thee - The Circumcision
St. Gabriel Came To Mary - The Annunciation
Carols from The Pattern of Life, Or, Lessons for Children From The Life Of Our Lord (1885):
'And Was Made Man!' Oh, Wondrous Words! - The Incarnation
O Fairest Day That Ever Dawned - Christmas Day
Clear Shone The Fair White Star Which Led - The Epiphany
Four Christmas Carols by W. Chatterton Dix (Lyrics) and Joseph Barnby (Composer), 1890. Includes:
The sheet music was published in The Musical Times and Singing Class Circular, Vol. 31, No. 574, Dec. 1, 1890, pages 735-738.
As often happens, carols and hymns are changed by other editors when they are introduced. Two examples of this include:
What Child Is This? (Version 1 from Bramley and Stainer, 1871) (For Christmas)
What Child Is This? (Version 2, Adapted)
and
As, With Gladness, Men Of Old - Version 1 (Dix) (For the Epiphany)
As With Gladness Men Of Old - Version 2 (Ward)
As with Gladness, Men of Old - Version 3 (Hymns and HAM)
Three
years before his death, Dix was one of several writers who were featured in an
article in The Strand Magazine:
Mr. W. Chatterton Dix, the author of “Come unto Me, ye weary,” “As with gladness men of old,” and other well-known hymns, is, happily, one of our living hymnists, and at present resides in Clifton. Mr. Dix was born in 1837, and began writing hymns at a very early age. “Come unto Me, ye weary,” which I have chosen for reproduction here, and which the author kindly sent me for the purpose, was written about the year 1867 [Dix was about 30 at the time. Ed.]. The hymn has not altogether escaped alteration at the editor’s hands, though in a lesser degree than the compositions of many other contributors to hymnody. Mr. Chatterton Dix informs me that there is no particular story connected with the writing of the hymn, save that he was ill and depressed at the time.
Source:
Francis Arthur Jones, "Some Popular Hymns, and How They Were Written," in George
Newnes, ed., The Strand Magazine. An Illustrated Monthly. Vol. IX.
January To June. (London: Newnes, Ltd., 1895), p. 588. The handwritten excerpt
from Dix's hymn "Come Unto Me Ye Weary," was from the same article.
The photograph of Dix was also on p. 588, with credit to "Lurden Hall, Clifton." This attribution, however, was in error. The photographer was Frederick Lindon Hatt (1844-1919), who operated studios in Clifton, Bristol, from 1883 through 1911 under the name of "Lindon Hatt" and "Lindon Hatt & Son." Source: The Hatt Family of Photographers, accessed Feb. 14, 2018.
Clifton is a neighborhood within Bristol. Sometime between 1895 and 1898, the Dix family moved from Clifton to Cheddar, some 40 miles southeast of Bristol.
William Chatterton Dix died at age 61 on September 9, 1898, at Cheddar, Somerset, England. His brief obituary in The Musical News, Volume 15, Number 394 (London: September 17, 1898), p. 244:
The death is announced of William Chatterton Dix, the writer of many popular hymns. Born in 1837, Mr. Dix had, therefore, reached his 61nd [sic] year. For a long time he was a resident of Bristol, but lately he removed his residence to Cheddar, where he died on Friday last. He had contributed hymns to “Hymns Ancient and Modern," “The Hymnary,” “The People’s Hymnal,” “The Hymnal Companion," “The Scottish Hymnal," and most of the denominational collections in England and America, some of them being also translated by missionaries into African and other dialects. The author of such beautiful hymns as “Come unto Me ye Weary,” and “As with gladness men of old,” will long be remembered.
There was apparently an obituary in The Illustrated London News, 24 September 1898. An accompanying photograph credited to "Lindon Holt" (sic). A copy of the photograph is available for purchase from Look and Learn History Picture Library.
Dix
was buried in the Church of St. Andrew, Cheddar, about 40 miles southwest of the
city of his birth, Bristol. We have found no book-length biography,
unfortunately. We believe that he had 2 sisters, and although two biographies have
mentioned raising a large family, none has given any significant details
concerning marriage or children.
However, his tombstone at St. Andrews' church contains the following names:
Juliet Dix - his wife, Juliet Wartnaby, married June 30, 1864.
Richard Lewis
Bertha Lewis (a daughter?)
Mary Lewis
Joseph Hill
Elsie Hill (a daughter?)
John Sandford
Hilda Sandford (a daughter)
Phyllis Wickham (a daughter)
Gertrude was another daughter, the eldest.
Research is continuing, and I hope to add additional details concerning the life of W.C. Dix. Any help would be greatly appreciated and acknowledged. I would again note that Professor Sheila Rowbotham has given important details about the life of William Chatterton Dix in her excellent work Rebel Crossings (London: Verso, 2016).
An alphabetical listing of his Christmas-tide hymns and carols
All Things Were In Silence - Christmas Eve
And Can It Be That God Is Born ("Knowing Him In The Breaking of Bread") - For Christmas
'And Was Made Man!' Oh, Wondrous Words! - The Incarnation
As, With
Gladness, Men Of Old - Version 1 (Dix) (For the Epiphany)
As With Gladness Men Of Old -
Version 2 (Ward)
As with Gladness, Men of Old - Version 3 (Hymns
and HAM)
Bend To Our Hymns, Redeemer - John of Damascus, Νευσον πρός ύμνους, οίχετων εύεξγέτα, from the Canon of Christmas Day
Bethlehem Hath Opened Eden - St. Romanus the Melodist, Τήν Έδέμ Βηδλεέμ ήνοιξε, δεύτε ίδωμεν.
Christians, Carol Sweetly - A Carol for Christmas Day
Clear Shone The Fair White Star Which Led - The Epiphany
Dark Fall The Hours This Winter-Tide ("The Bridegroom Coming at Midnight") - Second Advent
God Cometh, Let The Heart Prepare ("Judgment At The Door") Advent/Second Advent.
Gold for the King of Kings - Carol for the Midnight Mass of the Nativity
Habakkuk In Ancient Song - John of Damascus, Γενους Βροτέιου τήν άνάπλασιν πάλαι, from the Canon of Christmas Day
Holy, Blessed Trinity - Advent
How Long, O Lord, How Long, We Ask. Second Advent.
Infant Jesus, We Adore Thee - The Circumcision
It Was The Quiet Evening - "The Legend of the Holy Child"
Joy Fills Our Inmost Hearts Today, The Royal Child Is Born! Christmas.
Lift Up Your Songs, Ye Angel-Choirs ("The Two Thrones") - For Second Advent
The Manger Throne (First Line: Like Silver Lamps In A Distant Shrine)
O Fairest Day That Ever Dawned - Christmas Day
Rachel, Weeping For Her Children - The Holy Innocents
St. Gabriel Came To Mary - The Annunciation
Silence, Strange Sounds Are In The Earth. ("The Warning and the Invitation") - For Advent
Sing The Holy Child-Christ - The Epiphany
Sleep, My Babe, O Sleep! - Christmas Day
There Was Silence In Bethlehem's Fields That Night - A Song of the First Christmas Night
To Thine Altar’s Shadow Flying ("The Morning Sacrifice") - For The Circumcision, January 1
Today In Bethlehem Hear I - St. John Damascene, Δόξα έν ύψίστοις Θεώ
What Child
Is This? (Version 1 from Bramley and Stainer, 1871) (For Christmas)
What Child
Is This? (Version 2, Altered)
Within The Temple’s Hallowed Courts ("The Pure Offering") - For the Presentation of Jesus in the Temple, February 2, & The Festivals of the Blessed Virgin Mary
Who Will Lead Me To The Manger ("Christ Manifest at the Altar") - For The Epiphany
The Wonder-Working Master - John of Damascus, Εσωσε λαόν, δαυματουργών, from the Canon of Christmas Day
Works of William Chatterton Dix at Wikisource.
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URL: https://en.wikisource.org/wiki/Author:William_Chatterton_Dix
Sources:
Robert H. Baynes, Ed., The Churchman's Shilling Magazine And Family Treasury. Vol. 2, September 1867-February 1868 (London: Houlston and Wright, 1868), "Abyssinian Hymns," October 1867, pp. 212-217.
Church Hymns (London: Society for Promoting Christian Knowledge, No Date circa 1872)
Edwin Francis Hatfield, The Poets of the Church (A. D. F. Randolph & Company, 1884), p. 195.
G. S. Jellico, ed., Songs of the Church (London: Novello & Co., 1867)
John Julian, Dictionary of Hymnology (1892, 1907), pp. 302-303.
Francis Arthur Jones, Famous Hymns And Their Authors. (London: Hodder and Stoughton, 1903), , pp. 63-64, 322-323.
Alfred H. Miles, ed. The Sacred Poets of the Nineteenth Century. 1907.
Alfred H. Miles, Critical and Biographical Essay (London: George Routledge, 1907).
The Monthly Packet of Evening Readings for Members of the English Church. New Series, Volume 6 (July-December, 1868) (London: John and Charles Mozley, 1868), "Devotions of the Abyssinian Church," pp. 4-7.
Roundell Palmer, Earl of Selborne, English Church Hymnody. A lecture read at the Church Congress, York, Oct. 11, 1866 (London and Cambridge: Macmillan and Co., 1867), pp. 45-46.
Roundell Palmer, Earl of Selborne, ed., The Book of Praise. Boston: Sever, Francis, & Co., 1870, # XLI, p. 48.
William Studwell, The Christmas Carol Reader (New York: Haworth Press, 1995)
William L. Simon, ed., Reader’s Digest Merry Christmas Songbook (1981)
Godfrey Thring, ed., A Church of England Hymn Book: Adapted To The Daily Services Of The Church Throughout The Year. (London: W. Skeffington & Son, 1880).
A. H. Ward, Hymns for the Services of the Church and for Private Devotion (Bristol: H. W. Drake, ca. 1860-1861)
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